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  • Sondheim on Sondheim as Putting It Together

    Stage Door Theatre in South Florida

    By: Aaron Krause - May 24th, 2016

    Unlike in another Sondheim revue, “Side by Side by Sondheim,” has no narrator to link the songs. Rather, a dramatic framework exists in which two couples are attending a cocktail party at an upscale residence. This allows the characters to sing nearly 30 Sondheim songs outside the context for which he composed/or wrote the lyrics.

  • World Premiere Noir Musical Thriller Hollywood

    By Tony Winners Joe Di Pietro and Christopher Ashley at La Jolla Playhouse

    By: Jack Lyons - May 23rd, 2016

    La Jolla Playhouse has the best track record of any West Coast theatre when it comes to sending their original theatrical productions to Broadway (over 30 of them to date). Their 2008 musical production “Memphis”, written by Joe Di Pietro and directed by Christopher Ashley went on to Broadway winning a 2010 Tony Award for Best Musical. “Hollywood”, again written by Di Pietro, and helmed by Ashley, is looking to pull off a Tony Award-winning ‘Daily Double’ coup.

  • NY Philharmonic Performs Chaplin's City Lights

    Classic Movie with Superb Score

    By: Susan Hall - May 19th, 2016

    Alan Gilbert, Music Director of the New York Philharmonic has an uncanny knack for programming. Extending the ideas of where music does and does not belong in the classic/classical repertoire and how it should be produced. He has brought us semi-staged operas, adventuresome new music and live performance of film scores that were written to be heard live while the film is screened. City Lights, quintessential Chaplin, was accompanied by Chaplin's own score, played by the Philharmonic. The score had been restored and reconstructed by the conductor, Timothy Brock.

  • Beautiful: The Carole King Musical

    Road Company at Florida's Broward Center for the Performing Arts

    By: Aaron Krause - May 12th, 2016

    If the audience at the Broward Center for the Performing Arts’ Au-Rene Theater was any indication, people pull for King not just because of her music. They want to see her succeed in this bio-musical. She comes across as an ambitious, yet humble, talented, yet insecure underdog.

  • Mannes Produces Adamo's Little Women

    Joseph Colaneri Conducts

    By: Susan Hall - May 07th, 2016

    Little Women is Mark Adamo's first opera, and its spirited presentation of the Marsh family of Concord captures perfectly the struggle of a young woman to move from the warmth and support of her family home into the world of a woman. Simone de Beauvoir loved this book, as has the feminist community. Little Women seemed a perfect choice for Mannes, and composer Adamo, taking bows and hugging the cast, seemed to agree.

  • Eve Queler Reprises Classic Parisina

    Angela Meade Thrills in Donizetti

    By: Susan Hall - May 05th, 2016

    Donizetti wrote this opera on an unusually tight schedule. Whether its differences from his other work are deliberate or accidental we will never know. The catchy arias we associate with the composer are missing, but the music is still delightful. Eve Queler introduced the opera in 1974 and reprised it at Lincoln Center's Rose Theater. A remarkable evening.

  • Mocktoberfest Features the Polka Brothers

    Annual Fundraiser Berkshire Country Day School on May 7th

    By: Philip S. Kampe & Maria Reveley - May 03rd, 2016

    If you missed Octoberfest, you will have a second chance this Saturday, May 7th. Berkshire Country Day School will hold its annual Mocktoberfest fundraiser at 6:45pm. Auction items include photographer, Gregory Crewdson's artist proof and a trip to attend Octoberfest in Munich.

  • Utah Symphony Celebrates at Carnegie Hall

    Thierry Fischer Conducted 75th Anniversary Performance

    By: Djurdjija Vucinic - May 02nd, 2016

    The Utah Symphony under Thierry Fischer gave an exciting and moving evening of music in celebration of their 75th anniversary. The Utah Symphony Orchestra was built by promoting 20th century American and European music. This priority was established by Maurice Abravael, the conductor who led the orchestra for 30 years. He retired to work at Tanglewood for another 10 years.

  • Master Voices Presents Dido and Aeneas

    Kelli O'Hara and Victoria Clark Star

    By: Susan Hall - Apr 29th, 2016

    Kelli O'Hara can sport a delightful, rich opera voice and Victoria Clark, looking like a combination of Lynn Redgrave and Camilla Parker Bowles camps it up as a Sorceress bent on doing evil. A new prologue by Michael John LaChiusa has chorus members collapsing and hints of history being made.

  • Manhattan School of Music's Superb Opera

    Ibert and Ravel Entrance

    By: Susan Hall - Apr 28th, 2016

    Persée and Andromède by Ibert and L'Enfant et Sortilèges by Ravel with a brilliant libretto by Colette, her only opera, are staged by the Manhattan School of Music Opera Theater. This school's productions are among New York's finest. The singing is of professional calibre. The productions are considered from sets to costumes to a first-rate orchestral accompaniment. Year after year you can count on MSM for an evening of operatic pleasure.

  • BSO Ends Season with French and Russian Program

    Kristine Opolais Sang Tatiana's Letter Scene from Eugene Onegin

    By: David Bonetti - Apr 25th, 2016

    The BSO seems to love working with its new music director Andris Nelsons, who was ending his second season with this concert, which, BTW, featured his glamorous wife, Kristine Opolais, as the soprano soloist. In addition to the Tchaikovsky, the program included Debussy's "La Mer," Ravel's "La Valse" and Dutilleux's "Metaboles."

  • Elektra is Galvanic

    Murder and Revenge without Intermission at the MET

    By: Deborah Heineman - Apr 23rd, 2016

    A remarkable non-stop performance by Nina Stemme – who never leaves the stage in this 110-minute production – sets the tone for a magnificent interpretation of Strauss’ devastating opera.

  • Boston Baroque Does Mozart's The Magic Flute

    Production Brought Out Its beauty

    By: David Bonetti - Apr 19th, 2016

    Boston Baroque strayed from its central focus on Baroque music to play Mozart's eternally popular "The Magic Flute." I don't like its quasi-religiosity, but Mozart's music proves irresistible. Martin Pearlman played his Baroque band with style, and the vocal cast was (mostly) excellent.

  • Jeremy Denk at Carnegie Hall

    Poet of the Piano Rocks With Ragtime

    By: Susan Hall - Apr 18th, 2016

    Jeremy Denk is a formidable writer and pianist. While a man of such iconoclastic and apt thoughts might let 'intent' dominate performance, Denk succeeds in melding his ideas into the keyboard and creating music of seamless satisfaction.

  • Tilson Thomas Leads SFO at Carnegie

    Sasha Cooke and Simon O'Neill Evoke Mahler

    By: Djurdjija Vucinic - Apr 17th, 2016

    Sasha Cooke and Simon O'Neill singing Mahler's Song of the Earth gave ravishing performances with the San Francisco Orchestra under Michael Tilson Thomas. Woodwinds and brass also stood out in Schubert and Mahler.

  • James Levine Resigns as Met's Music Director

    Tenure Ended by Chronic Illness

    By: Susan Hall - Apr 16th, 2016

    Speaking to the Maestro about chocolate in February, it was clear that he had not found the answer to uncontrollable hand and arm movements, although his mind was as a sharp as ever. We agreed that Mondel's was the best hand-made chocolate in New York, but he also likes Mrs. See's chocolates in Los Angeles. It would be encouraging to hear that he will continue working with young talent at the Met and at the Juilliard School.

  • ACJW Ensemble at Carnegie

    Weill Hall Setting for American Composers

    By: Djurdjija Vucinic - Apr 14th, 2016

    Charming ACJW pianist Michael James Smith told us that when Carnegie first opened 125 years ago, no American music was played. Now we had an American evening, from Copland and Ives to an early Glass chamber piece and the stunning Carnegie premier of Steven Mackey's Micro Concerto. Cellist Caleb van der Swaagh explained tongue-in-cheek how hard it is to be a cellist and how easy it is to play 35 different percussion instruments, many of them featured by Mackey.

  • American Academy Awards to Vocal Composers

    Kate Soper and Lewis Spratlan Honored

    By: Susan Hall - Apr 12th, 2016

    Contemporary music is alive and well in America and two special composers have been honored by the VIrgil Thomson Award and the Charles Ives Prize.

  • BMOP Revives David Del Tredici's "Child Alice"

    Neo-Romantic masterpiece gets second outing in 30 years

    By: David Bonetti - Apr 08th, 2016

    Back in the '70s, David Del Tredici was the hottest composer in town. Then he and the movement he led, neo-Romanticism, faded from view. His obsessive, rapturous works based on Lewis Carroll's "Alice" deserve to be heard. Gil Rose and his Boston Modern Orchestra Project obliges. The result - two and a half hours of lush music - was largely satisfactory. We want to hear more.

  • Alexandre Tharaud Performs Bach

    A Crypt Session at the Church of the Intercession

    By: Susan Hall - Apr 05th, 2016

    Alexandre Tharaud is more than a musician's musician. His heart-rending performance of the Bach Goldberg variations put him at the same pinnacle of pianists as the Bach work is for music afficiandos. In a concert series performed in an intimate acoustic marvel, the crypt of the Church of the Intercession in upper Manhattan, Tharaud delivered a mesmerizing take on this crown jewel of compositions.

  • Opera Philadelphia's Yardbird at the Apollo

    Lawrence Brownlee Superb as Charlie Parker

    By: Susan Hall - Apr 03rd, 2016

    Charlie Parker ended up an unknown in Bellevue's morgue. While the opera Yardbird is set in the jazz club Birdland then on 52nd Street, affectionately named after the genius of bebop, Bird himself is in purgatory, not yet buried, writing a final symphonic work and plagued by memories of the women in his life. Tenor Lawrence Brownlee makes an indelible impression in the title role.

  • ACJW Rocks National Sawdust

    Carnegie Hall and Juilliard Launch Their Best

    By: Susan Hall and Djurdjija Vucinic - Mar 31st, 2016

    The accessibility of contemporary music was never in question at a superb evening with the ACJW Ensemble at Nation Sawdust in Brooklyn.

  • BLO Presents Massenet's Werther

    Love-sick Poet Who Took His Life Quintessential Romanticism

    By: David Bonetti - Mar 28th, 2016

    Based on the Goethe novel, which set off a plague of copy-cat suicides in 18th century Europe, the late Romantic opera is arguably Massenet's masterpiece - at least it still speaks to us today. Lyrical throughout, it becomes intensely dramatic in Act III and IV. The BLO cast was not ideal, but they did the best they could and had many affecting moments.

  • Dolly Parton Added to Tanglewood Schedule

    Country Music Artist to Perform on June 17

    By: BSO - Mar 25th, 2016

    Country music icon Dolly Parton makes her Tanglewood debut with a season-opening performance Friday, June 17, at 7 p.m. in the Koussevitzky Music Shed, joining the Tanglewood 2016 Popular Artist line-up. Keith Lockhart and the Boston Pops Swing Orchestra will also perform in the Shed on Saturday, September 3, at 8 p.m.

  • Carmen McRae

    Life Is a Cabaret

    By: Charles Giuliano - Mar 24th, 2016

    During intimate club gigs you got to hang out with legendary artists like jazz singer Carmen McRae. She was open about sharing the insights and secrets of her unique craft as a compelling cabaret artist. Even in concert halls she conveyed a feeling of reaching out to every individual in the audience.

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