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Music

  • Today It Rains

    Composed by Laura Kaminsky Libretto by Mark Campbell and Kimberly Reed

    By: Victor Cordell - Mar 30th, 2019

    Maestra Nichole Paiement conducts the chamber orchestra to its polished sound with energy and precision, finding a visual and aural expressiveness in the combining of the instruments, parallel to that of Georgia O’Keeffe combining her paints. Laura Kaminsky honors this great artist with her world premiere opera Today It Rains, commissioned and presented by Opera Parallèle.

  • Choir of King's College at Saint Thomas

    Lenten Season Music

    By: Susan Hall - Mar 29th, 2019

    Concerts at Saint Thomas continue their 2018-19 season with a guest performance by the acclaimed Choir of King’s College, Cambridge at Saint Thomas Church Fifth Avenue. This marks the choir’s final North American tour with current Director of Music Stephen Cleobury, who will retire after 37 years in September. His position will be filled by current Saint Thomas Organist and Director of Music Daniel Hyde.

  • John Hochheimer on WBUR 1968 to 1971

    Progressive Programming Terminated by John Silber

    By: Charles Giuliano - Mar 25th, 2019

    Now retired, professor John Hochheimer of Southern Illinois University, recalls undergraduate years at Boston University’s then progressive station WBUR. He started as a high school volunteer in New York at WBAI. During sophomore year at BU, in 1968, he started at WBUR. He was influenced by the free form programming of Tom Gamache, AKA Uncle T. Rock archivist, David Bieber, was a friend and flat mate. He once spent five hours on air with David Bowie and became friends with B.B. King and Elton John. The programming staff was fired not long after John Silber took over at BU in 1971.

  • Popular Artists at Tanglewood

    Adding Three New Acts to Full Season

    By: BSO - Mar 23rd, 2019

    The 2019 Popular Artist Series includes performances by Brian Wilson (6/16), Richard Thompson (6/21), Earth, Wind & Fire (6/28), Josh Groban (7/2), James Taylor and his All-Star Band (7/3 & 4), Train and the Goo Goo Dolls (8/5), Gladys Knight and The Spinners (8/28), Squeeze—The Squeeze Songbook Tour (8/29), Pat Benatar & Neil Giraldo and Melissa Etheridge (8/30), Ben Harper & The Innocent Criminals and Trombone Shorty & Orleans Avenue (8/31), and Reba McEntire (9/1). American Public Media’s Live From Here with Chris Thile also returns on June 15, opening the 2019 season.

  • Boston Symphony at Carnegie Hall

    Thomas Adès Conducts

    By: Paul J. Pelkonen - Mar 22nd, 2019

    Although the first conductors were themselves composers, the wearing of both hats at the helm of a symphony orchestra is always cause for comment. On Wednesday night, the British composer Thomas Adès, who is currently in the new role of "Artistic Partner" with the Boston Symphony Orchestra, led that band at Carnegie Hall in a program featuring the New York debut of his Piano Concerto.

  • Memphis In South Florida

    A Rousing Production by Actors' Playhouse

    By: Aaron Krause - Mar 21st, 2019

    Memphis the Musical sizzles in South Florida. Cast and crew shine in mounting by Actors' Playhouse at the Miracle Theatre. The show's themes resonate powerfully. This production features a mix of local and regional talent, as well as a member of the Broadway national tour of Memphis.

  • Theatre of Voices at Carnegie Hall

    Arvo Part and David Lang Featured

    By: Susan Hall - Mar 21st, 2019

    Theatre of Voices returned to Zankel Hall in Carnegie Hall to perform the music of Arvo Pärt alongside the New York premiere of visual poems accompanied by a picture poem by Phie Ambo. No Mickey Mousing was intended. Instead the pictures were suggested by changing seasons, and a farm in Denmark. Both Pärt and David Lang were beautiful, deep meditations on nature, man's the the world's.

  • The Barber of Seville

    At Livermore Valley Opera

    By: Victor Cordell - Mar 20th, 2019

    In the opera canon, The Barber of Seville is one of relatively few that can ease many unfamiliar with opera into enjoying it.

  • WBCN: The American Revolution

    Award Winning Documentary Film by Bill Lichtenstein

    By: Charles Giuliano - Mar 19th, 2019

    Recently, WBCN: The American Revolution had its first public screening at DC Independent Film Festival. It was judged Winner Best Documentary 2019. Bill Lichtenstein launched the project in 2009. There was at the time no archive dedicated to the legendary alternative rock station. Now there is as the film conflates talking heads, images, sound tracks and vintage footage. More than a radio station, WBCN provided the sound track and social media platform for the coming of age of 250,000 college students during an era of war, protest, and a dynamic counterculture.

  • Man of La Mancha in Annapolis

    Patrick Gerard Lynch Plays the Don and his Creator

    By: Susan Hall - Mar 18th, 2019

    Man of La Mancha acted and sung with all the passion it can arouse, is revived by the Compass Rose Theater in Annapolis, Maryland. It is a treat. While its score may be Broadway- lite, a reminder that there is hope for humans who dream is a welcome.

  • Hairspray at Oregon Shakespeare

    Baltimore Based Musical Packs Hefty Impact

    By: Victor Cordell - Mar 18th, 2019

    Hairspray challenges prejudices against women who lack an idealized body type and pushes for racial integration and acceptance of non-binary genders. It slyly and adroitly conveys its message even to conservative audiences through an entertaining package of sympathetic characters and shared enjoyment.

  • Cambodian Rock Band by Lauren Yee

    Oregon Shakespeare Festival

    By: Victor Cordell - Mar 17th, 2019

    In Lauren Yee’s tense and scintillating comedy/drama, Cambodian Rock Band, lead character Chum had escaped Cambodia during the height of the atrocities and resettled in Massachusetts. It is produced by Oregon Shakespeare Festival and plays in repertory through October 27, 2019.

  • The Rape of Lucretia

    Review at Boston Lyric Opera

    By: Doug Hall - Mar 16th, 2019

    Boston Lyric Opera’s production and interpretation of Benjamin Britten’s contemporary tragic opera “The Rape of Lucretia” is once again an example of a willingness and commitment to perform dramatically intense and socially relevant subject matter.

  • Baruch Performing Arts Center's Spoken Songs

    Spears and Argento Sung by Brian Mulligan

    By: Susan Hall - Mar 14th, 2019

    Baruch Performing Arts Center presented a Thoreau song cycle by Gregory Spears and Virginia Woolf's Diaries by Dominic Argento. Spears, a phenom among contemporary composers, loves Henry David Thoreau, but found his poetry less than thrilling. Diving into his prose, he decided to take up the more difficult challenge of setting prose to music.

  • Diana The Musical

    Premiere at La Jolla Playhouse

    By: Jack Lyons - Mar 12th, 2019

    La Jolla Playhouse presents a new musical about Diana and Charles who as heir to the British throne, at 70, is still waiting. For global fans she was a fairybook princess in real life.

  • Earth Wind and Fire at Tanglewood

    Friday June 28 at 7 PM

    By: BSO - Mar 12th, 2019

    n Friday, June 28, at 7 p.m., Earth, Wind & Fire returns to Tanglewood, bringing its U.S. tour to the Koussevitzky Music Shed. Earth, Wind & Fire are a music institution. Over a five-decade history, they have sold out concerts all around the globe, scored eight number one hits, and have sold over 100 million albums worldwide.

  • Rock Archivist David Bieber Part Two

    Boston Media and Counterculture

    By: Charles Giuliano - Mar 09th, 2019

    Several years ago The Fenway Motor Inn, morphed into the boutique, rock themed, Verb Hotel. David Bieber was commissioned to provide vintage memorabelia from his vast archive. Since then, with a small staff, he has been unpacking and cataloguing the collection. He also worked with the late Stephen Mindich to archive The Phoenix material at Northeastern University. Bieber discusses an era in the counterculture of Boston when there was a community of music makers, promo men, writers and DJs. Rent was cheap compared to now and we were living large on other people's money.

  • Sonja Friseli's Aida Is Retired at the Met

    The End of Aida As We Loved Her

    By: Susan Hall - Mar 09th, 2019

    The production mounted at the Met thirty years ago is to be replaced, under the injunction: if it's not broken, break it. Sonja Friseli's Aida is perfect and satisfies audience members of all ages and all hues. Why should a new one be created? If you are having financial troubles, spend more in the wrong place?

  • Aspect Foundation Concert at Italian Academy

    Alexander Sitkovetsky and Wu Qian Team for Dramatic Beauty

    By: Susan Hall - Mar 07th, 2019

    The Aspect Foundation is committed to making the concert experience memorable. By offering food and drink before the concert and during intermission, and selecting unusual and glistening venues, audience members are swept into their commitment to first-rate music-making. Evenings Aspect presents are unforgettable. Go to one and you will be hooked.

  • Bridget Kibbey and Friends at Merkin Hall

    WQXR's Terrance McKnight Hosts

    By: Susan Hall - Mar 07th, 2019

    Bridget Kibbey is a superb musician on her instrument of choice, the harp. She was joined by two friends on violin and flute/recorder to perform J.S. Bach, C.P.E. Bach, Orlando de Lassus and Tarquinio Merula in Merkin Hall at the Kaufman Center in New York. The event was hosted by Terrance McKnight of WQXR.

  • Boston Rock Archivist David Bieber

    Collection of 600,000 Objects

    By: Charles Giuliano - Mar 07th, 2019

    The vast archive of some 600,000 objects was a primary source for the Bill Lichtenstein film WBCN: The American Revolution. When in college David Bieber became a campus correspondent for Billboard Magazine. In graduate school at Boston University he wrote a thesis on the impact of WBCN and the growing counterculture media on changing the mainstream of Top 40 radio and the straight press. He became music director of WBUR and went on to work for WBCN and the Boston Phoenix. He provides an insightful overview of an era of social and poltical change for the vast college/ youth market in Boston.

  • Al Perry Talks About WBCN

    Former Station Manager

    By: Charles Giuliano - Mar 05th, 2019

    While many during the Golden Age of WBCN had their heads in the clouds former station manager, Al Perry, had his feet on the ground. Somebody had to stay straight and pay the bills. He is a talking head in Bill Lichtenstein's documentary film WBCN: The American Revolution.

  • Christie and Les Arts Florissants at BAM

    Jean-Philipppe Rameau Delights

    By: Susan Hall - Mar 04th, 2019

    William Christie and his Arts Florissant created two dance/opera entertainments by Jean-Philippe Rameau at the Brooklyn Academy of Music. As usual, this group sells out in New York and it is easy to see why. Christie conducts with poise and precision. He enlists a first rate ensemble of musicians to perform period music. To this is added stylized dance and gorgeous operatic voices. In the second one act dance/opera, La Naissance d'Osiris, we saw and heard a divertissement of dances, the gavotte, sarabande and minuet among them.

  • WBCN and the American Revolution

    Bill Lichtenstein Discusses His Documentary Film

    By: Charles Giuliano - Mar 03rd, 2019

    On March 7 the documentary film WBCN and the American Revolution will have a sneak preview at the DC Film Festival. On March 9, 12 and 13 there will be screenings at the Cinequest Film Festival in San Jose. A world premiere is being planned for Boston in April. The day after wrapping the film Bill Lichtenstein discussed the project which started in 2006. The story of WBCN is set against events from the launch of the radical FM station in 1968 to developments surrounding the resignation of Richard Nixon seven years later.

  • Falstaff at the Met

    Verdi's Final Work

    By: Paul J. Pelkonen - Feb 28th, 2019

    "It's not going to be my favorite Verdi opera." This, from an attendee on the 1 train riding away from Lincoln Center after the Metropolitan Opera's Wednesday night performance of Falstaff, efficiently sums up the attitude of audiences toward the composer's final opera--and his only successful attempt at writing comedy. Falstaff is a masterwork, but one held in high regard not for its considerable qualities but for its place as Verdi's last musical utterance. On Wednesday night under the baton of Robert Carnes, the opera received a performance that just might change that gentleman's opinion.

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