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  • The Pearl Fishers at Santa Fe Opera

    Georges Bizet with Libretto by Eugène Carmon and Michel Carré

    By: Victor Cordell - Aug 20th, 2019

    Many operas have suffered a rocky road to recognition and appreciation, The Pearl Fishers, among them. Yet when one considers its virtues, it is hard to understand why. Santa Fe Opera presented a rare and much appreciated production.

  • Jenufa by Leoš Janácek

    Produced by Santa Fe Opera

    By: Victor Cordell - Aug 19th, 2019

    With the exception of a little light relief in the wedding preparation, Jenufa is tense and emotionally charged from beginning to end. Janácek endows his lead characters with complexity and with demanding vocals. In keeping with the tone of the action, much of the vocalization is harsh, yet particularly in the orchestra, appealing passages emerge. Overall, the score fulfills many demands with great success.

  • Love, Noël: The Songs and Letters of Noël Coward

    In NY at The Irish Repertory Theatre

    By: Edward Rubin - Aug 17th, 2019

    Alone and in duo, Ross and KT perform some two dozen Noel Coward songs, read a number of letters and first night theater opening telegrams (remember those days) both written by and received from his fans, famous friends, and yes, you might have guessed it, letters both to and from his mother.

  • Dell Arte Opera's La Liberazione di Ruggiero

    Brilliant Baroque Presentation of the First Opera by a Woman

    By: Susan Hall - Aug 17th, 2019

    In their summer home at La Mama in New York, dell'Arte Opera is presenting the first opera composed by a woman, Francesca Caccini. The composer understands the power of women well. She also portrays the power of evil in women. An exciting performance by a stellar cast of young artists accompanied by a small ensemble featuring lutes was conducted by Charles Weaver.

  • TIME:Spans Festival at DiMenna Center

    Nikel with Tscherkassky's CinemaScope Trilogy

    By: Susan Hall - Aug 17th, 2019

    TIME:SPANS is a Contemporary Music Festival presented by the Earle Brown Music Foundation Charitable Trust at the DiMenna Center in New York. The Nikel Ensemble was featured in the first half of the Festival. Nothing daunts them. Wearing long extensions on their fingers, they kept the beat to Simon Løffler's music which accompanied a Peter Tscherkassky adaptation of The Entity, a classic psychological horror film.

  • Fall Springs at Barrington Stage Company

    Fracking a World Premiere Musical

    By: Charles Giuliano - Aug 15th, 2019

    Juke box musicals with butkis for plots have become the norm. Kudos to Barrington Stage for its world premiere Fall Springs which actually has a compelling book. But fracking, the musical, oh my goodness! While it has entertaining moments this creation by Peter Sinn Nachtrieb and Niko Tsakalakos is a whacky long shot. It's more than just a town that sinks in the sludge.

  • Oliver Beer's Vessel Orchestra at the MET Breuer

    Nico Muhly and John Zorn compose for the Vessels

    By: Susan Hall - Aug 13th, 2019

    The Metropolitan Museum of Art has mounted its first sound-based installation. British artist Oliver Beer selected 32 vessels from the Museum's vast collection. They form a 32 note chromatic scale which can performed on an electronic keyboard. The exhibit was a feast for eyes and ears.

  • Yang Liping's Under Seige at Mostly Mozart

    Stunning Dance at the David Koch Theater

    By: Susan Hall - Aug 11th, 2019

    Yang Liping has created a dance drama in such startling colors and designs that the audience is swept into the single Ancient Pipa melody of the same title. The tapping of swords, soldiers cries and horses whinnying and snorting are all suggested as the song portrays the end battle of the war for control of China in 205 B.C. The armies of the Chu and the Han face off in dance. Blood has never been so beautifully suggested, as a mass of red feathers fly through the air, some streaking the bodies of soldiers.

  • National Black Theatre Festival

    Audience as Congregation in Winston-Salem

    By: Charles Giuliano - Aug 10th, 2019

    Thirty years ago the late Larry Leon Hamlin founded National Black Theatre Festival in Winston-Salem, North Carolina. The biannual event, July 29 to August 3, featured 30 productions on stages in and around the city, They ranged from intensive dramas to entertaining musicals. A great part of the experience was being part of audiences that might better be described as congregations. People assemble from all over American for this unique celebration of African American history, theatre and culture.

  • Moulin Rouge! The Musical on Broadway

    Easy on the Eyes but a Mishmash

    By: Karen Isaacs - Aug 10th, 2019

    While easy on the eyes Moulin Rouge! The Musical a pastiche of some 70 songs slogs along at two and a half hours. It is a mongrel cut and paste of other and better material. If you liked the movie than this one's for you.

  • Ma Rainey’s Black Bottom

    August Wilson Play Produced by Multi Ethnic Theater

    By: Victor Cordell - Aug 10th, 2019

    Set in 1927 Chicago, Ma Rainey’s Black Bottom is the only play in August Wilson’s great ten-play, ten-decade “Pittsburgh Cycle,” of the black experience in America that takes place outside his home town. Although the black bottom in the title refers to the flapper dance of the period, it seems intended as a double entendre with sexual innuendo. Both connotations are relevant to one of the important verbal clashes among the band members.

  • Emanuel Ax, Yo-Yo Ma and Leonidas Kavados

    Perform at Tanglewood's Ozawa Hall

    By: Philip S. Kampe - Aug 08th, 2019

    Three great musicians, one small music hall and an overflow lawn crowd made this special concert, a night to remember. Emanuel Ax, Leonidas Kavados and Yo-Yo Ma turned this marvelous summer night into magical music. It was an all Beethoven programp of three Piano trios.

  • Orfeo & Euridice

    At The Bridge Yard

    By: Victor Cordell - Aug 07th, 2019

    The spare nature of Orfeo & Euridice is well suited to a smaller opera company. Requiring only three principals, casting is simplified. This small entourage and extensive use of dance by nymphs also make it conducive to the barest of staging. Mikiko Uesugi’s set design of gauzy hanging sheets certainly qualifies.

  • If I Were You.

    Composed by Jake Heggie with Libretto by Gene Scheer

    By: Victor Cordell - Aug 07th, 2019

    If I Were You possesses a compelling score with drama to match. Full of symbols of soul transporters and apples and grieving elephants as well as contrasting venues from offices to bars, it stimulates the ears and eyes and holds the attention throughout

  • International Contemporary Ensemble

    The 12th Annual Journey of Sonic Landscapes

    By: Susan Hall - Aug 06th, 2019

    You can count on every International Contemporary Ensemble concert to deliver surprise, shock and awe. Performers are always in tip-top shape. You might hear an instrument you’ve never heard before, like the Cimbalon or the Kamanchah at a Mostly Mozart concert at Merkin Hall. ICE is superb and daring.

  • Train Meets The Goo Goo Dolls

    Tanglewood Rocks

    By: Philip S. Kampe - Aug 06th, 2019

    A major billing with two headliners, Train and the Goo Goo Dolls, played to an enthusiastic audience of many generations, dominated by women at Tanglewood on Monday evening. Both bands played enthusiastic seventeen song set lists, before the encore. Cannons, fireworks and bouncing balloons helped keep the crowd active throughout the evening.

  • Blck, Whyte, Gray at Mostly Mozart Festival

    British Hip Hop Takes Us Deep into Dance

    By: Susan Hall - Aug 03rd, 2019

    Blck, Whyte, Gray is performed at the Mostly Mozart Festival, a clear invitation for a wide swathe of ethnic groups to join the Festival audience, and also a pleasure and a revelation for regulars. Advance notice was served at the White Light Festival last fall, when Blck, Whyte, Gray was a smash hit of the Festival.

  • International Contemporary Ensemble

    12th Annual Appearance at Mostly Mozart

    By: Susan Hall - Jul 27th, 2019

    The International Contemporary Ensemble started off its 12th annual Mostly Mozart season at the David Rubenstein Atrium in Lincoln Center. The first concert was free and attracted an overflow crowd. Bringing the audience up to date and beyond, Mostly Mozart has offered free concerts of contemporary music in an act of generosity. People appreciate the chance to listen to a new landscape of composers.

  • Chrissie Hynde at MASS MoCA

    Pretenders the Real Deal

    By: Charles Giuliano - Jul 27th, 2019

    It was standing room only last night for the packed performance of Chrissie Hynde and The Pretenders. On a perfect summer night, with just a touch of heat relief, they performed on stage in a large courtyard of MASS MoCA.

  • Davone Tines in The Black Clown

    Langston Hughes Inspires the Journey to Manhood

    By: Susan Hall - Jul 25th, 2019

    Davone Tines was looking for a project to touch him deeply. His college classmate Michael Schacter suggested reading Langston Hughes' poems. The Black Clown hit him in the gut. Years ago Hughes had felt just as he did. Schachter and Tines collaborated on a moving and energetic musical monologue prompted by the poem. It is a wild theatrical success in its New York premiere.

  • Kian Soltani and Julio Elizalde at Mostly Mozart

    A Little Night Music at the Kaplan Penthouse

    By: Susan Hall - Jul 24th, 2019

    Cellist Kian Soltani partnered with pianist Julio Elizalde in a late evening concert in Lincoln Center's nightclub in the sky, the Stanley Kaplan Penthouse. Mostly Mozart presented Soltani, who like Mozart, was born in Austria.

  • Kevin Puts Premiere at Tanglewood

    Andris Nelsons Conducts Renee Fleming and Rod Gilfry

    By: Susan Hall - Jul 21st, 2019

    The Brightness of Light by Kevin Puts had its world premiere at The Shed at Tanglewood. Rod Gilfry, baritone, and Puts' collaborator Renee Fleming, sang the baritone and soprano roles of Alfred Stieglitz and Georgia O'Keefe, who were married for twenty-two years. Often living and working in different parts of America, they corresponded. Puts scoured the correspondence to develop an arc for his orchestral song cycle. It is a brilliantly achieved work.

  • La Gazza Ladra Performed by Teatro Nuovo

    Beautiful Music at the Rose Theater

    By: Susan Hall - Jul 19th, 2019

    Teatro Nuovo presented Rossini’s La Gazza Ladra (The Thieving Magpie) at the Rose Theater in New York. The company fulfilled all the promise of Rossini’s inventiveness. The simple set served to present the semiseria dramma perfectly. La Gazza or Magpie (Christopher Hochstuhl) flew about the stage at the start. A white table cloth on which the bird’s image was drawn reminded us throughout the evening that all would be well when the true culprit was discovered. A maid is accused of the theft of silverware and is under the threat of execution.

  • Verdi’s Requiem Mass at Tanglewood

    Andris Nelsons Conducts Massive Work

    By: Charles Giuliano - Jul 15th, 2019

    On the specal occasion of its annual Gala there was a special treat for partrons and the general audience. The long awaited and much anticipated Verdi’s Requiem Mass was conducted by Andris Nelsons at Tanglewood.

  • The Newport Jazz Festival 2019

    Talking with Bass Player Ron Carter

    By: Doug Hall - Jul 15th, 2019

    Bass player Ron Carter at 82, still performing around the world – will bring his trio to the Newport Jazz Festival Saturday, August 3rd at Fort Adams. He shared some thoughts about performing, music and musicianship.

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