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  • Lawrence Brownlee and Friends

    Lyric Opera of Chicago Streams a Virtual Concert

    By: Susan Hall - Jul 28th, 2020

    Lawrence Brownlee is an ambassador of song. He is not only a great bel canto tenor, but also leader in discussions on our racial divide. Identifying as a descendant of Africans and a person of dark skin tone, he has mentored young singers and helped direct the conversation on race in the arts and in the world about us. Yet he does not like the designation of Ella Fitzgerald as part of Black Heritage, her position on a postage stamp. Rather he sees her as a great American singer. Blacks are part of a larger community, not self-segregated.

  • BSO Cancels Fall Season

    Winter 2021 Will Be Announced in December

    By: BSO - Jul 30th, 2020

    For the first time in its 139-year history, the Boston Symphony Orchestra will suspend its fall season of performances at Symphony Hall, September 16-November 28. Plans for winter programming will be announced in September,

  • Lawrence Brownlee, Bel Canto

    National Sawdust Presents a Master

    By: Susan Hall - Aug 08th, 2020

    Lawrence Brownlee talked about music and our times with composers Helga Davis and Paola Prestini. The event was hosted by National Sawdust, an institution for our times, which is led by the super-energetic Prestini.

  • Elektra by Strauss Live at Salzburg Festival

    Krzysztof Warlikowski's Wrenching Drama

    By: Susan Hall - Aug 16th, 2020

    Krzysztof Warlikowski’s Elektra opens the 2020 Salzburg Festival. An electrifying interpretation of the wild Richard Strauss opera based on the drama by Hans Hofmannsthal announced that Austria is alive and well.

  • Hancock Shaker Village

    A Special Invitation Sunday August 30

    By: Jennifer Trainer Thompson - Aug 26th, 2020

    Live from Hancock Shaker Village: Songs of Comfort will be broadcast live on WAMC and streamed online or on the WAMC app. This Sunday August 30 at 7 pm.

  • Alex Ross on Wagnerism

    Wagnerism: The Superb Story of Culture Over 150 Years

    By: Susan Hall - Aug 28th, 2020

    Alex Ross has written a Wagnerian book about the impact of Richard Wagner on the culture and politics of his times, leading right up to our own. "Wagnerism". the term which serves as the title of the book, was used early on in English by George Eliot, one of the many writers who fell under Wagner's spell. It is used to define Wagner’s methods: his scope which spreads out to the edges of the Universe and beyond, his use of myths, and his tones which are often highly erotic and then some.

  • Ross On Wagnerism

    The Intoxification of Baudelaire

    By: Susan Hall - Sep 03rd, 2020

    Alex Ross whose Wagnerism is to be published on September 15th, first heard Wagner on a LP record borrowed from his local library. Listening to Lohengrin, he was neither transformed nor transfixed. The Meister is not a free pass to paradise. Yet many listeners have been instantly seduced by a steady procession of creeping chromaticisms.

  • More on Wagnerism by Alex Ross

    George Eliot Absorbs Wagner

    By: Susan Hall - Sep 10th, 2020

    When Wagner’s music crossed the English Channel, it attracted the attention of novelist and critic, George Eliot, who always took a great interest in music. Early on, she identified Wagner’s achievement as a path to the future, writing, “…anyone who finds deficiencies in opera as it has existed hitherto...” must admit that Wagner “…has pointed out the directions in which lyric drama must develop itself, if it is to be developed at all.”

  • More on Alex Ross, Wagnerism

    Ross Captures The Meister's Voice

    By: Susan Hall - Sep 14th, 2020

    Alex Ross’s depiction of Wagner in America, in his new work "Wagnerism," is focused at the start on the author Willa Cather. Ross finds Cather and Thomas Mann the most musically educated and sophisticated of the many literary figures who infused their work with the ideas of the Meister. The boundless scope of a work, its inclusion of ancient myth made present, and leitmotifs bound together to organize a story, are key elements of the Wagner style.

  • Ruth Bader Ginsberg Loved Opera

    Our Very Own Brunnhilde

    By: Susan Hall - Sep 20th, 2020

    Justice of the Supreme Court Ruth Bader Ginsberg, who died this week while still sitting on the bench, was a hero to American women. She believed above all that women could bring about a better world. She loved Beethoven’s "Fidelio," the story of Leonore, who disguises herself as a man to rescue her husband from prison. She related to the opera's story as a woman and a feminist.

  • Rob Kapilow Tackles the Appassionata Sonata

    Orli Shaham Exposes a Sonata

    By: Susan Hall - Sep 27th, 2020

    Rob Kapilow begins his “What Makes it Great” evenings with a discussion of special elements in a musical work to be performed in its entirety at the conclusion of the evening. Kapilow is a conductor and performer. Always responsive to a live audience, he draws us in, elucidating us as he instructs. Now he is streaming from an empty Merkin Hall. Yet you become addicted in one outing. Through Kapilow, listening to music has added whole new dimensions. Orli Shaham provides examples for a discussion of Beethoven's Piano Sonata No. 5. She also gives a deeply moving performance of the Appassionata.

  • Composer Victoria Bond in Recent Works

    Pianist Paul Barnes and Violist Martha Mooke Perform

    By: Susan Hall - Oct 15th, 2020

    Victoria Bond brings a distinctive, rich ear to her musical composition in many forms. A recent commission provided a chance to collaborate with Paul Barnes, a go-to pianist for both Bond and Philip Glass. Bond's Simaron Kremata is based on a Greek chant and opens with a five note melody which repeats.

  • Visit the Atelier des Lumières, Paris, France.

    A Magical Van Gogh Exhibit

    By: Susan Hall - Oct 28th, 2020

    Missing Paris? Van Gogh? Music? Impresario and superb clarinetist Joseph Rosen points the way to a magical Van Gogh exhibit with "Vincent" sung by Jim van Der Zee. Enjoy!

  • Tyshawn Sorey Plays His Deck

    Alarum Will Sound in Video Chat

    By: Susan Hall - Oct 31st, 2020

    Newark, New Jersey has given us Philip Roth and LeRoi Jones among others. Now we have Tyshawn Sorey, moved south to a studio in Philadelphia, 'conducioning' at a triptych of computer screens on which seventeen performers have gathered to create one of Sorey’s Autoschhiams, a spontaneous composition.

  • Young Musicians Tune Out Covid

    At The Monmouth Conservatory of Music

    By: Jessica Robinson - Nov 10th, 2020

    Where once technology was thought to be the death knell of human social interaction, it is now bringing us together. During this pandemic, arts institutions worldwide have been regrouping and finding ways to keep going virtually. The Monmouth Conservatory of Music is no exception. Living in this altered reality, unable to gather in-person as they normally would, the school has gone all-out to ensure the beat goes on for its young musicians (some as young as 5!)

  • The Orchestra Now at Bard

    Chamber Ensembles Intrigue

    By: Susan Hall - Nov 19th, 2020

    Bard’s The Orchestra Now (TON) gives live performances in the time of Covid. Recently they performed a challenging and revealing program in Annandale, NY. Selections were made with attention to the number of instrumentalists required and ability to social distance on stage.

  • Bard Conservatory Orchestra Features Wesley Sprott

    Fanfares, Serenades, Concertina

    By: Susan Hall - Nov 20th, 2020

    Count on Bard to bring us unexpected, deserving programs concert after concert.  Henri Tomasi’s Fanfares Liturgigues opened this program.  The fanfares were conceived as part of Tomasi’s opera Don Juan de Manara. They premiered as a stand alone a decade before the opera opened in Munich. What a splendid work.

  • Edward Smadone's Once and Again

    A Recording for Our Time

    By: Susan Hall - Nov 23rd, 2020

    Edward Smaldone is a contemporary composer of classical music. His distinctive textures include unusual combinations of instruments, odd beats, counterpoint and rich harmonics. These elements blend but do not merge. Rough edges combined with smooth melodic lines are ear catching. Lines often stretch wide and giant leaps leave gaping spaces between notes.  

  • James Darrah At Boston Lyric Opera

    Creating Streamed Productions

    By: Susan Hall - Nov 24th, 2020

    Boston Lyric Opera, ever on the lookout for startling innovations that work, has hired Darrah to produce a stop motion feature-length animated version of Philip Glass’s The Fall of the House of Usher.

  • James Darrah At Boston Lyric Opera

    Creating Streamed Opera

    By: Susan Hall - Nov 25th, 2020

    Boston Lyric Opera, ever on the lookout for startling innovations that work, has hired Darrah to produce a stop motion feature-length animated version of Philip Glass’s The Fall of the House of Usher.

  • Richard Vacca's Bio of Jazzman Freddy Taylor

    What, and Give Up Showbiz?: Six Decades in the Music Business

    By: Doug Hall - Nov 27th, 2020

    Fred Taylor breathes life into this narrative, literally having a conversation with you, including many hilarious anecdotes, home-spun punch lines but also always making you feel like you were re-living the moment with him. The Taylor bio has been written by jazz historian Richard Vacca.

  • Experiments in Opera Delivers A Podcast Series

    Aqua Net and Funyums

    By: Susan Hall - Dec 09th, 2020

    Experiments in Opera (EIO) is the company that gives most hope for the future of the form. They are fleet, inclusive and steeped in the history of the opera. Most importantly, they have extended the camp story-telling which characterizes the form. For all the beauty of classic operas, let’s face it: they are camp. A new podcast series has just been released by the group.

  • Hans Henze's Sailor Betrayed

    Simone Young Conducts a Masterpiece at Vienna State Opera

    By: Susan Hall - Dec 23rd, 2020

    The Vienna State Opera has recently  streamed their live production of Hans Henze’s The Sea Betrayed, a title translated with the approval of Yukio Mishima, the famed author of the novel on which the opera is based.  The opera premiered in Berlin in May of 1990.  Audiences in this country were not initially attracted when it was produced the following year by the San Francisco opera. The War Memorial Opera House was half empty. The opera is a masterpiece.

  • Prototype Festival Opens OnLine

    Modulation Startles and Stuns

    By: Susan Hall - Jan 09th, 2021

    Undaunted by the constraints of COVID, the Prototype Festival launched its 7th annual event on January 8th. Modulation opened the week of new, streaming works. While the trailer and prologue look like the Hollywood Hills striped with waving geological lines, the three florescent doorways invite entrance to an interior. The inventive work, made up of 13 parts, is divided into three acts, Isolation, Fear and Identity.

  • Network for New Music Presents Extraordinary Measures

    Composer Portrait of Richard Wernick

    By: Susan Hall - Jan 11th, 2021

    Network for New Music gives us a delightful composer portrait of Pulitzer-prize winner Richard Wernick, a native Bostonian. He has studied at Tanglewood, and with Leonard Bernstein. Can you imagine a "Sunken Synagogue" replacing the Ys' cathedral of Debussy?

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