Music
-
Oedipus an Opera by Elli Papapakonstantinou
Classic Myth Brought to Life at BAM
By: - Oct 01st, 2019Elli Papapakonstantinou has created a masterful and absorbing re-telling of the Oedipus story at the Fisher Theater, BAM. Elements of the story we know are central to the production. The sense Papapakonstantinou conveys is the randomness of life. The gruesome drama of the events we hear sung and see danced are horrific. Presented with strong videos, smoke and mirrors, with live video-ing of the principal characters, the piece is larger than life.
-
Clara Schuman 200 Years Young
Works by Women Composers Featured at National Sawdust
By: - Sep 29th, 2019Constellation by Emma O'Halloran was inspired by images of hands in the first cave drawings. Turns out that most of these were women's hands, and they looked like constellations, which was O'Halloran's jumping off point. Naomi Louisa O'Connell drew their pictures in riveting song.
-
New York Philharmonic Pairs Schoenberg and Bartok
From Sweden Come Rich New Takes
By: - Sep 29th, 2019The New York Philharmonic became an opera orchestra for Schoenberg’s Erwartung and Bela Bartok’s Bluebeard’s Castle. A Swedish cast, including the incomparable Nine Stemme and directed by Bengt Gomer, provided new twists to the tales, emphasizing the real or imagined murder of an errant lover and possible survival of an eighth wife of Bluebeard. His beard is not blue, and attractions go beyond a castle and riches.
-
Liszt Performed in the Catacombs
Jenny Lin and Adam Tendler, a Remaarkable Double Team
By: - Sep 27th, 2019Pianists Jenny Lin and Adam Tendler took on one of Franz Liszt’s early and most demanding compositions, alternating roles as performance artists and page turners. Yamaha had delivered a grand piano which just fit between the arched stone walls of the Catacombs at Greenwood Cemetery in Brooklyn. The lid of the piano was completely removed, allowing a bright, distinctive tone to emerge, even when so many notes cascaded that it might have been difficult to distinguish one from another. Erotic and religious ecstasy erupted.
-
Opera Philadelphia's Love for Three Oranges
Prokovief's American Opera Mounted Like Lollipops
By: - Sep 24th, 2019Apparently the audience for the Sunday performance of Love for Three Oranges at the Academy of Music in Philadelphia was only the second best audience so far. The best, 1,300 school children who had earlier found this work irresistible. It is.
-
Joseph Keckler to Die for at Opera Philadelphia
Making the Case for Death
By: - Sep 24th, 2019Joseph Keckler takes on the subject of singing in opera with a unique flare for the dramatic, for humor and deep delve. He is a masterful monologuist. In Let Me Die, he goes to the center of the operatic volcano, the death song. Here divas have been challenged since Monteverdi to blast out their pain in dying with vocal chords wide open and lungs at full mast. Yet they are fading away. Neither singer nor composer has ever been much disturbed by the odd idea that someone is going to a breathless state with lungs belting
-
Opera Philadelphia Presents Denis and Katya
Philip Venables and Ted Huffman Update Romeo and Juliet
By: - Sep 23rd, 2019Opera Philadelphia presents Denis and Katya, the world premiere of a new opera by Philip Venables and Ted Huffman. Keenia Ravvinia is credited both with creative contributions and translation of the events surrounding the dual death of two fifteen year old Russians. The teens had holed up in a cabin where weapons were stored and used them to attack the police. No one really knows what happened, but it was an event that was covered by the young couple in smart phone videos and periscope posts and widely picked up by the media.
-
Joshua Roman and Conor Hanick at The Crypt
Arvo Part and Alfred Schnittke Featured
By: - Sep 19th, 2019Joshua Roman on cello and Conor Hanick at the piano performed a wild, raucous Alfred Schnittke Sonata bracketed by two transcendental works by Arvo Pärt. Andrew Ousley speaking at the outset as we waited for the artists to descend into the arched naves, suggested that we refrain from applauding at the end of each work. Instead we might absorb the afterglow of the music and let it seep further in. No one was tempted to break the silence with an inadvertent clap.
-
Romeo and Juliet by Charles Gounod
Produced by San Francisco Opera
By: - Sep 17th, 2019Charles Gounod’s Romeo and Juliet faithfully follows Shakespeare’s dramatic narrative and adds a score of great beauty that has graced the repertory since its spectacular debut in 1867. San Francisco Opera’s faithful production possesses sterling artistry and striking staging that honor this compelling opera.
-
Die Fledermaus by Johann Strauss
Produced by Opera San Jose
By: - Sep 17th, 2019The intersection of the world of grand opera and musical confection rarely occurs. An exception to that rule would be Johann Strauss’s operetta Die Fledermaus. Maestro Michael Morgan maintains brisk pace throughout the musical sections, resulting in a spirited rendering of the score.
-
Boston Rocker Ric Ocasek at 75
With Ben Orr Founded The Cars
By: - Sep 16th, 2019The counterculture in Boston geared up in the summer of 1968. The music scene, WBCN, and alternative media were well established when The Cars emerged with a self titled album in 1978. They went on to record a string of hits breaking up a decade later. After kicking around with a variety of folk/ rock configurations Ric Ocasek and Ben Orr established a mega group that was inducted into the Rock and Roll Hall of Fame last year. Orr died in 2000 and Ocasek died yesterday at 75. They were an integral part of a golden age of Boston rock.
-
Hitchcock's Psycho Score at NY Philharmonic
Orchestra Performs Bernard Hermann's Classic
By: - Sep 15th, 2019The New York Philharmonic performed the New York premiere of Bernard Hermann’s Psycho score, accompanying a huge projection of the film. Richard Kaufman, a veteran conductor of film and television productions, conducted. David Geffen Hall was filled with a hip audience of film buffs, who cheered when the classic image of the Bates Motel first appeared on the screen.
-
Amadeus at North Coast Repertory Theatre
Sir Peter Schaffer’s Musical Still Rocks Mozart
By: - Sep 15th, 2019Director Baird’s bold vision required him to strip-down the script to 10 performing characters without sacrificing any of the drama and/or light comedy moments that run throughout Shaffer’s illuminating, potent, tragic story concerning the early death, at 35 years of age, of musical genius Wolfgang Amadeus Mozart (an astonishing Rafael Goldstein).
-
Reggae Band Steel Pulse
The Cabot Theater, Beverly, Mass.
By: - Sep 14th, 2019Performing at the Cabot Theater in Beverly, to a packed and “on your feet” audience, David Hinds (vocals, guitarist) and longtime bandmate Selwyn Brown (keyboardist) kept an edge to their message of social and political outrage. The evening featured the first release by Steel Pulse in over a decade "Mass Manipulation" (2019, Rootfire Cooperative / Wiseman Doctrine).
-
John Zorn World Premiere at Columbia University
Pianist Stephen Gosling Paints in Notes
By: - Sep 12th, 2019The first of a series of monthly pop up concerts at the Miller Theatre at Columbia University presented the world premiere of John Zorn’s 18 Studies from the Later Sketchbooks of JMW Turner. This expansive work embraces a variety of styles and forms, all inspired by the watercolors of 19th-century English painter Joseph Mallord William Turner. Pianist Stephen Gosling, a masterful interpreter of contemporary music and particularly Zorn's, performed.
-
Britten's Billy Budd Based on Melville
At San Francisco Opera
By: - Sep 09th, 2019Michael Grandage’s production has been revived several times since its inauguration almost a decade ago, and it’s easy to see why. The staging is sensational, dominated by the depiction of the innards of the man o’ war. Although Billy Budd underwent revisions after its debut in 1951, it is surprising that the American premiere didn’t occur until 1970.
-
Kamala Sankaram's New Opera at HERE
Kristin Marting, Opera on Tap and Experiments in Opera Join Forces
By: - Sep 08th, 2019HERE and Opera on Tap are presenting Kamala Sankaram's Looking at You, an opera which takes a provocative approach to the end of privacy. We wittingly and unwittingly allow cyber companies to strip us. Rob Handel's brilliant libretto is in the tradition of Experiments in Opera productions. Its narrative arc and apt language combine with thick orchestration using whatever style brings us face to face with issues in a story.
-
Clark Will Screen Live at the Met
Opera Featured at Williamstown Museum
By: - Sep 05th, 2019The Clark Art Institute will air the complete 2019–20 season of ten live performances from The Metropolitan Opera, held on select Saturdays beginning in October 12 and concluding in May 2020, in high definition from the Clark’s state-of-the-art auditorium. A special holiday encore presentation of The Magic Flute will be held on Sunday, December 8.
-
Chamber Music Society of Lincoln Center
Live from Lincoln Center Presents first International Broadcast
By: - Sep 04th, 2019The Chamber Music Society of Lincoln Center is upward bound, on an odyssey filmed by Live From Lincoln Center as they journeyed through Greece. We visit the remote hills of Pelion and churches in Volos and Milies. Unusual and exotic locations are the setting of performances: from a Bach violin solo performed movingly by Aaron Boyd in a magnificent amphitheater to the wonderful Octet for strings that Mendelssohn composed at 16 years of age as he embarked on his classical career.
-
Reba McEntire at Tanglewood
Packed Shed Ends 2019 Season
By: - Sep 02nd, 2019From 4:20 PM to an exit at 5:45 PM country music star Reba McEntire laid down a vapor trail of a jet charged fifteen tunes. It was the final performance of a record setting 2019 Tanglewood season.
-
Ben Harper and Trombone Shorty at Tanglewood
Two Distinct Musical Styles
By: - Sep 01st, 2019Special concerts do not happen too often in one's lifetime. Fortunately, the double bill of Ben Harper and The Innocent Criminals paired with Trombone Shorty and Orleans Avenue, fit the bill as one of the most exciting musical shows that I have witnessed.
-
Squeezing in Tanglewood
Difford &Tilbroo, Forty Years Later
By: - Aug 31st, 2019Chris Difford and Glenn Tilbrook are treated like royalty. They are often referred to as prolific composers like Lennon & McCartney. They have been working together for forty years-churning out hit after hit. Their genius was shared with a jubilent and dancing in the aisles audience at Tanglewood.
-
Gladys Knight and The Spinners
Soulful Nostalgia at Tanglewood
By: - Aug 29th, 2019It was a soulful night of nostalgia at Tanglewood. The Spinners went on at 7 and cooked. We needed the heat on a cool wet night. In ever sense they warmed up the audience for Gladys Knight. There was a long intermission before she went on at ten of nine and by 10:25 after some 20 songs we made our way home.
-
Ladies Night at Dell'Arte Opera Ensemble
Bond, Musgrave and Viardot Intrigue and Engage
By: - Aug 22nd, 2019Dell’Arte Opera Ensemble, always venturesome, presented an evening in which three female composers were featured Franz Liszt had said that in Pauline Viardot the world had finally found a woman composer of genius. Her short opera Cendrillon was performed in full.
-
The Thirteenth Child at Opera Santa Fe
By Poul Ruders with Libretto by Becky and David Starobin
By: - Aug 21st, 2019In an age of sweeping movement toward gender equity, Danish composer Poul Ruders has surprisingly drawn on a Grimm fairytale as a source for female heroics and female enabling. The result is a fable for adults – a taut and riveting opera, yet one that begs for more. Santa Fe Opera’s world premiere of The Thirteenth Child offers stunning production values that enhance the score and yield an engaging musical drama.
<< Previous Next >>