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  • Berkshire Theatre Critics Association

    2021 "Berkie" Award Winners

    By: Berkie - Nov 16th, 2021

    The big winners of the Berkies were A Crossing: A Dance Musical, presented by Barrington Stage Company, which won the Sally and Robert Sugarman Award for a World Premier of a New Work as well as many acting and design awards, and Nina Simone: Four Women, presented by the Berkshire Theatre Group. 

  • Dido and Aeneas Composed by Henry Purcell

    Produced by Opera San José

    By: Victor Cordell - Nov 15th, 2021

    Rarely has an esteemed opera endured the ignominy of its birth as “Dido and Aeneas.”  Although its composer, Henry Purcell, would reign as the preeminent producer of serious British music from his death in 1695 until the 20th century, his only pure opera borrowed slavishly from a crypto-opera, John Blow’s “Venus and Adonis,” that has not even remained in the canon.

  • Composer Marcus Shelby's Harriet's Spirit

    Produced by Opera Parallèle and Bayview Opera House

    By: Victor Cordell - Nov 15th, 2021

    Commissioned by Opera Parallèle as part of their Hands-On-Opera program, a series of operas for youth, “Harriet’s Spirit,” is performed appropriately at the Bayview Opera House, which operates as the hub of the San Francisco African American Arts and Culture District.  The production energizes and provides a beacon of hope for the communities that its story represents.

  • Giuliano at Williams Faculty Club on November 19

    To Discuss Museum of Fine Arts Boston, 1870 to 2020: An Oral History

    By: Charles Giuliano - Nov 15th, 2021

    Remarkably, Museum of Fine Arts Boston , 1870 to 2020, by Charles Giuliano is only the second comprehensive history of the MFA. Much has transpired since the centennial publication some fifty years ago. Over those decades the author interviewed directors, curators, trustees and administrators. The museum's great collections as well as issues of elitist exclusion, racism and anti Semitism are conveyed in their own words. The Me Too and Black Lives Matter movements have impacted all of America's cultural institutions. Giuliano will discuss the book at the Williams Faculty Club on Friday, November 19 at 7 PM.

  • Arthur Miller's The Price

    At GableStage in Coral Gables, a Miami suburb

    By: Aaron Krause - Nov 15th, 2021

    GableStage in Southeast Florida is opening its season with Arthur Miller's "The Price." New Producing Artistic Director Bari Newport is directing it, based on late Producing Artistic Director Joe Adler's notes. This production of "The Price" marked Adler's last directorial effort at GableStage, where he spent 20 years as Producing Artistic Director. GableStage has dedicated this production to Adler.

  • Hamlet and Me

    The Danish prince and I Go Way Back

    By: Nancy Bishop - Nov 14th, 2021

    I saw college productions—and I read Hamlet in a memorable Shakespeare course at one of my alma maters, Harvard on the Rocks—the two-year University of Illinois in Chicago at Navy Pier. (Later it became a four-year university and moved to its current campus.) The first Hamlet production that I remember vividly was during the 1963 opening season of the Guthrie Theater in Minneapolis.

  • At Clark Art Institute

    Hue & Cry: French Printmaking and the Debate over Colors

    By: Clark - Nov 13th, 2021

    Hue & Cry: French Printmaking and the Debate over Colors presents a wide array of French color prints from the Clark’s works-on-paper collection, by artists including Pierre Bonnard, Mary Cassatt, Paul Cézanne, Jules Chéret, Maurice Denis, Camille Pissarro, Henri de Toulouse-Lautrec, and Édouard Vuillard.

  • Sovereignty & Indigenous Curation Panel

    Art, Culture, and Technology Program at MIT

    By: ACT - Nov 13th, 2021

    Our panel discussion will consider ways in which the practice of Indigenous curation enacts sovereignty. We will address the various challenges of doing Indigenous curation within and, at times, against art institutions. Our discussion will take into account the difficulties of collaborating across various differences—cultural, disciplinary, educational, etc.—that are specific to exhibiting Indigenous arts.

  • Come from Away

    National Touring Production in South Florida

    By: Aaron Krause - Nov 13th, 2021

    Come from Away is docked in South Florida before heading north. The musical relates the true tale of a small Canadian town that welcomed and cared for stranded passengers on Sept. 11, 2001 and the days after.

  • Will Eno Takes on Peer Gynt

    GNIT a Delight at Theatre for a New Audience

    By: Susan Hall - Nov 12th, 2021

    Theatre for a New Audience is presenting GNIT, an update of Hendrik Ibsen's Peer Gynt. The new version by Will Eno is daring in its exposition of many characters reaction to the her and their plight.

  • MFA Union On Strike November 17

    Administration Nickle and Dimeing Staff

    By: Maida Rosenstein - Nov 12th, 2021

    Over 96% of staff at the Museum of Fine Arts, Boston,voted to strike on Wednesday, November 17 in support of a fair union contract. Workers in departments across the Museum will picket at 465 Huntington Avenue that day starting at 8:30 am. The MFA Union includes curators, conservators, library workers, public-facing staff, educators, and administrative and professional workers.

  • Falsettoland by William Finn and James Lapine

    At Music Theatre of Connecticut

    By: Karen Isaacs - Nov 10th, 2021

    It is fitting to see this piece in Connecticut; after all in 1991 it was Mark Lamos, the artistic director at Hartford Stage who worked with composer/lyricist William Finn and co-book writer James Lapine to combine Finn’s two short musicals –In Trousers and March of the Falsettos into one more cohesive piece.

  • A Little Night Music by Stephen Sondheim

    Produced by 42nd Street Moon at Gateway Theatre

    By: Victor Cordell - Nov 09th, 2021

    Although Sondheim’s music and themes often have sharp edges, “A Little Night Music,” which is based on Ingmar Bergman’s film “Smiles of a Summer Night,” is written predominately in waltz time and is highly melodic.

  • Vermont Blown Away

    Demonstration at Brattleboro Museum & Art Center November 21

    By: Brattleboro - Nov 09th, 2021

    “Vermont Blown Away” will take the form of a friendly competition among teams of glass artists. Items from BMAC’s Study Collection of Ancient Objects will be selected to inspire three-person teams to create new glass sculptures. Teams will have 15 minutes to design a piece and one hour to complete it. These glass pieces will be auctioned off at a later date to raise money for the Vermont Glass Guild’s education fund.

  • Warrior Class

    Highly-Charged Political Drama at Boca Stage

    By: Aaron Krause - Nov 09th, 2021

    The past stalks a candidate for Congress in the gripping political drama, "Warrior Class." The riveting production runs through Nov. 21 at Boca Stage in Boca Raton, Fla. Boca Stage, a professional theater company, is the new name for the former Primal Forces.

  • Definition Theatre's Social Justice Film

    America v.2.1: The Sad Demise and Eventual Extinction of the American Negro,

    By: Nancy Bishop - Nov 08th, 2021

    At a time when we should all be thinking about how America’s history might be taught in all its blood and glory, Definition Theatre succeeds in tossing new ingredients into this steamy pot of burgoo. Its new theatrical film, America v.2.1: The Sad Demise and Eventual Extinction of the American Negro, is a raw, sad and funny story of a future America, told in four parts.

  • Iphigenia at MASS MoCA

    An Opera by Wayne Shorter and esperanza spalding

    By: Charles Giuliano - Nov 07th, 2021

    Iphigenia, an opera is a cross generational collaboration between 88-year-old jazz legend, Wayne Shorter and the much younger and widely acclaimed performer/ composer esperanza spalding. It was an eight year project that was particularly intensive this past year. After a residence it was presented as "an open rehearsal and work in progress" at MASS MoCA over two nights. It's debut will occur in Boston at ArtsEmerson on November 12 and 13. It will travel from there.

  • O'Neill's Comedy, Ah Wilderness

    Melia Bensussen’s Directorial Debut at Hartford Stage

    By: Karen Isaacs - Nov 06th, 2021

    Melia Bensussen demonstrates a sure hand with this Eugene O’Neill play set in Connecticut on July 4, 1906. In Ah, Wilderness!, O’Neill who is better known for his dramas of love, loss, disillusionment, self-delusion and alcoholism, shows his lighter touch. It is a family comedy about some of the same subjects but more upbeat.

  • War Words

    What Does 'Thank You for Your Service' Really Mean

    By: Aaron Krause - Nov 06th, 2021

    The Atlantic Council has partnered with professional theater companies, veterans service organizations, and corporate sponsors to bring staged readings of War Words. This Pulitzer Prize-nominated play depicts stories of men and women who served in Iraq and Afghanistan. The production is traveling to different cities.

  • Letter About Charles Giuliano’s Seventh Book

    Museum of Fine Arts Boston, 1870-2020: An Oral History

    By: Bill Wadsworth - Nov 05th, 2021

    The poet and Columbia University professor, Bill Wadsworth is a neighbor and friend. He has been on the road for the past month. I sent an e mail inquiring when next we might enjoy another witty and insightful literary luncheon. His response comprised a critique of my current MFA book. This ‘review’ is posted with his permission.

  • Julianne Boyd Steps Down at Barrington Stage

    Co Founded Theatre Company in 1995

    By: Charles Giuliano - Nov 04th, 2021

    In 1995 Julianne Boyd co-founded Barrington Stage company producing sparsely attended but critically well received shows in a high school auditorium in Sheffield. In 2005 the company purchased and renovated a formed vaudeville house in Pittsfield. Coping with Covid-19 Boyd mounted a successful 2021 season. With the company is good shape, citing age, she is passing the reins to new leadership. In December she turns 77. She will stay on through the search and transition for a new artistic director.

  • Eurydice by the Artistic Home

    Adaptation of Greek Classic by Sarah Ruhl

    By: Nancy Bishop - Nov 03rd, 2021

    Eurydice by Sarah Ruhl is the new production now being staged by the Artistic Home at the Den Theatre. It’s the ancient story of the wife who dies and the husband who tries to bring her back to the world of the living, but Ruhl tells this version from the viewpoint of Eurydice. She has written a funny, contemporized version of this love story, set somewhere nearby and perhaps in some current time.

  • Metropolitan Museum of Art Presents Arvo Part

    The Temple of Dendur is a Location Favored by the Composer

    By: Susan Hall - Nov 03rd, 2021

    Arvo Pärt has celebrated birthdays at the Metropolitan Museum of Art. His music is often performed at the Temple of Dendur where one wall dances with reflections from a pool of water, reflections that seem to move with the beat of the music. They soothe and elevate, a mood captured by the Nile River in the temple’s original Egyptian location.

  • Ceramics, MASS MoCA, North Adams, MA

    In the Expanded Field

    By: Astrid Hiemer - Nov 02nd, 2021

    Ceramic art works and products have increased substantially in size and expression over the last ten or more years. The sky is the limit here at the current MoCA exhibition and the energy was palpable in the galleries during a rainy Saturday.

  • At the Wake of a Dead Drag Queen

    Written by Terry Guest, Produced by Theatre Rhinoceros

    By: Victor Cordell - Nov 02nd, 2021

    Appropriately, Theatre Rhinoceros presents “At the Wake of a Dead Drag Queen” in its new, intimate home in The Castro.  Their choice of play to christen the new venue fits like a glove. Thematically, the suitability is clear for the longest running LGBTQ theater company in the universe.  And in a setting where the audience can reach out and touch the performers, a small two hander where the actors’ every small gesture can be seen.

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