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  • The Big D in South Florida

    World Premiere of Comic-Drama near Ft. Lauderdale

    By: Aaron Krause - Jul 03rd, 2018

    The Big D has a dual personality as a play, with some of the material risque and lively, while other moments are tender and tragic. Michael Mizerany's new work is having its world premiere at Wilton Manor's Abyss Theater. Prolific theater artist Ronnie Larsen is directing the play, featuring some strong acting.

  • Objects of Desire at Eclipse Mill Gallery

    Larry Alice and Joan Kiley Paired In Evocative Exhibition

    By: Charles Giuliano - Jul 03rd, 2018

    The special exhibition Objects of Desire pairs whimsical narrative paintings by Joan Kiley with relief sculpture and polychromed assemblages by Larry Alice. There is a confluence and empathy of fantasy and the surreal in work that will be on view in the Eclipse Mill, 243 Union Street, from Friday, June 29 through Sunday, July 29. A receptiom will be held on Friday, July 6.

  • Coming Back Like a Song at Berkshire Theatre Group

    World Premiere of Juke Box Musical

    By: Charles Giuliano - Jul 04th, 2018

    It's Christmas Eve at the NY apartment of Irving Berlin. He is joined by fellow masters of the Great American Songbook Jimmy Van Heusen and Harold Arlen. With just a piano we get 35 of their songs in Berkshire Theatre Group''s world premiere of Coming Back Like a Song by Lee Kalcheim,

  • The Bennington Mural Project

    Union Street Mural Unveiled

    By: Chris Buchanan - Jul 03rd, 2018

    In downtown Bennington, a new mural lets local artists shine and brings the community together.

  • End of The Royal Family of Broadway

    NY Times Review Spikes Barrington Stage Production

    By: Charles Giuliano - Jul 06th, 2018

    The Barrington Stage world premiere of the musical Royal Family of Broadway has earned mostly positive reviews. It has been treated as a work in progress potentially bound for Broadway. The team assembled for this production have been there before. Because of a devastating review by Jesse Green in the New York Times that may not happen. While Green is an established, and well qualified critic, is it the role of the Times to nip in the bud regional productions being developed for a run in New York?

  • Van Zweden and the New York Philharmonic

    A Beethoven Prelude to Action

    By: Paul J. Pelkonen - Jul 05th, 2018

    With all the secrecy that surrounds the arrival of a new music director for America's oldest orchestra, one must rely on live performances and recorded documentation to assess such a relationship. Happily, such documentation arrived earlier this year in the form of a DeccaGold recording of Beethoven's Fifth and Seventh Symphonies, made by the New York Philharmonic under the aegis of its new boss, Jaap van Zweden.

  • Hair at Berkshire Theatre Group

    Celebrating 50th Anniversary

    By: Charles Giuliano - Jul 08th, 2018

    If you plan to see Hair at the Unicorn Theatre in Stockbridge, as well you should, a few tokes of medical marijuana will help to set the mood. Be sure to wear some flowers in your hair. On opening night we spotted a granny with a crown of woven daisys.

  • Batsheva — The Young Ensemble at Jacob's Pillow

    Audience Insulted by Naharin’s Virus

    By: Charles Giuliano - Jul 09th, 2018

    With a combination of theatre of nihilism, taunts and insults the audience at Jacob's Pillow endured a riveting performance by Israel's Batsheva — The Young Ensemble. There was a single, hour long piece “Naharin’s Virus” (2001). It was choreographed by soon to retire artistic director Ohad Naharin. Like an ersatz Stockholm Syndrome experience the audience perhaps too politely thanked their tormentors for the assault on their sense.

  • Four Quartets Danced at Bard

    Tamowitz, Saariaho and Marden Capture the Still Point

    By: Susan Hall - Jul 09th, 2018

    Bard's Summerscape, ever brave, captures extraordinary moments in poet T.S. Eliot's masterwork, Four Quartets. The words the poet so clearly relishes in his own reading now dance before our eyes like searing moments at the still point. Choreographer Pam Tanowitz, composer Kaija Saariaho and painter Brice Marden join forces at the Fisher Center in Annandale.

  • I Will Speak for Myself

    Evoking Historical Women of Color by Valerie Joyce

    By: Victor Cordell - Jul 11th, 2018

    In Professor Valerie Joyce’s visits to schools, she asks students to name African-American women they know of from before 1865. Even among black female students, the responses quickly falter – Harriet Tubman, Sojourner Truth, maybe Sally Hemings. With 250 years of history in the United States before the Civil War, this whole segment of our population is virtually silent, unknown.

  • Macbeth the Scotched Play at S&Co.

    Botched by Misdirection of Melia Bensussen

    By: Charles Giuliano - Jul 12th, 2018

    It helps if you have read or seen other productions of Macbeth. Without that background the radical deconstruction ot the iconic play directed by Obie winner, Melia Bensussen, won't make sense.

  • Artney Jackson by James Anthony Tyler

    African American Theatre in Williamstown

    By: Charles Giuliano - Jul 15th, 2018

    For the past decade there has been a tradition of at least one Afircan American themed production each season. This time its a benign and charming comedy Artney Jackson by James Anthony Tyler. Arguably there is progress that the well crafted and superbly acted play is a step back from polemical social and political agendas.

  • Kevin Puts' Silent Night at Glimmerglass

    Pulitzer-Winning Opera Wrenching and Gorgeous

    By: Susan Hall - Jul 16th, 2018

    Silent Night by Kevin Puts with libretto by Mark Campbell is being presented at the Glimmerglass Festival. Tomer Zvulen directs this complex tale revealing each subtle turn in the story of a 24 hour truce during the First World War. Nicole Paiement conducts to bring forth all the subtlety and beauty of Puts’ score. Puts is both a fabulously gifted entertainer and a deep musical thinker. The music paints the scenes. The singers capture the tone in gorgeous melodies and often appropriately harsh recitative.

  • MCLA Gallery 51 Exhibition by Charles Giuliano

    Heads and Tales a 40 Year Retrospective

    By: BFA - Jul 17th, 2018

    A forty year retrospective by Charles Giuliano "Heads and Tales" opens Thursday, July 26 at MCLA Gallery 51 in North Adams, Massachusetts. It will be a part of the monthly Downstreet celebration, The artist will give a talk at the gallery on Wednesday, August 8 from 6 to 7 PM. The exhibition, curated by gallery director Arthur Debow, surveys 40 images of jazz and rock musicians from the Rolling Stones, to Marvin Gaye, Miles Davis, Yoko Ono and Frank Sinatra.

  • Charles Giuliano Heads and Tales

    Pictures at an Exhibition

    By: Charles Giuliano - Jul 27th, 2018

    Arthur DeBow did a super job of curating and installing my retrospective Heads and Tales at Gallery 51 in North Adams. Some 150 plus friends and strangers passed through.

  • La Cage Aux Folles

    At South Florida Company's New Venue

    By: Aaron Krause - Sep 08th, 2018

    La Cage Aux Folles marks first show at Stage Door Theatre's brand new venue in South Florida. Popular Broward County company makes a triumphant debut at its new facility. Theater company imbues Jerry Herman, Harvey Fierstein classic with glamor, humanity and heart

  • Tanz im August, Berlin 2018

    Dance in August Ended September 2nd

    By: Angelika Jansen - Sep 09th, 2018

    One of the big international dance festivals, the Berlin based Tanz im August, celebrated its 30th anniversary with a thought-provoking and breath-taking array of works.

  • Cavalleria Rusticana and Pagliacci

    A Twofer at San Francisco Opera

    By: Victor Cordell - Sep 10th, 2018

    In an unusual alteration, perhaps opera’s most famous closing line, “La commedia è finita” which is written for Canio, is spoken by Mamma Lucia, who is a character from Cavalleria. This change is the most explicit link between the two operas, and it also suggests that the speaker represents humanity, demanding an end to the destructive chaos of primitive morality evidenced in both pieces.

  • Roberto Devereux by Gaetano Donizetti

    At San Francisco Opera

    By: Victor Cordell - Sep 10th, 2018

    Gaetano Donizetti is recognized as a master of bel canto, with its vocal ornamentation, agility, vibrato, glissando, and precise demands on breath and register control. Although not designed as companions, he wrote operas of three queens in that style, now known as the Tudor Trilogy – Anna Bolena, Maria Stuarda, and Roberto Devereux.

  • The Naturalists, A World Premier

    Intimately Understanding Terrorism

    By: Susan Hall - Sep 11th, 2018

    The Pond is an adventuresome young producing group whose mission is to seek out bold playwrights from Ireland and the UK and give American audiences a chance to know them. Playwright Jaki McCarrick deserves wide exposure. Terrorist acts are more familiar to the Irish than Americans, Yet the impact of these events on the families of terrorists is new territory and a fascinating one in The Naturalists.

  • Chicago on Stage

    Four Short Reviews

    By: Nancy Bishop and Matthew Nerber - Sep 13th, 2018

    Chicago critics Nancy Bishop and Matthew Nerber team up to cover four plays with brief reviews. This is one approach to focus on the wealth and diversity of productions in the Windy City.

  • Now & Then

    World Premiere Musical at Wilton Theater Factory

    By: Aaron Krause - Sep 15th, 2018

    A New musical has its touching moments, but is hampered by cliches, sentimentality. The world premiere of Now & Then runs through Sept. 30 at the newly-named Wilton Theater Factory near Ft. Lauderdale. A strong, versatile cast performs in Now & Then's first-ever production in South Florida.

  • The Goat, or Who Is Sylvia?

    Edward Albee Play at Chicago's Interrobang Theatre Project

    By: Nancy Bishop - Sep 15th, 2018

    The Goat, or Who Is Sylvia? is certainly a problem play, in the classic sense in which characters debate critical social issues in a realistic context. Think Ibsen, “kitchen sink drama” and the socialist plays of the 1920s and ‘30s. Albee also makes many references to classical tragedy, literature and Greek mythology throughout The Goat.

  • Agnes Howls at 59E59th

    Lesser America Presents a Play Centered on Autism

    By: Susan Hall - Sep 15th, 2018

    Hurricane Agnes is raging outside the small living space of a group of friends in their early 20s. The play focuses on Charlie, who has been diagnosed at the upper end of autism. We see him struggle to become just like everyone else, or getting as close to more conventional people as possible. His perspective is surprising and dramatic.

  • HIR By Taylor Mac

    Transitional Theatre at Shakespeare & Company

    By: Charles Giuliano - Sep 16th, 2018

    HIR by Taylor Mac, at Shakespeare & Company, demonstrates that we are now well beyond LGBT. The new acronym is LGBTTSQQIAAF. For Maxine who is transitioning to Max the correct pronoun is hir passing through ze. The playrwight answers to the pronoun judy. The play which took 17 years to create is described as Mac's most biographical.

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