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  • Don Juan

    Westport Country Playhouse

    By: Karen Isaacs - Nov 16th, 2019

    Westport Country Playhouse is giving us a delightful performance of a new adaptation of the Molière play written by Brendan Pelsue and wonderfully directed by David Kennedy.

  • Mallon’s Fellow Travelers

    Boston Lyric Opera

    By: Doug Hall - Nov 15th, 2019

    Boston Lyric Opera has once again successfully adapted and tackled politically and socially topical subjects in “Fellow Travelers”, an opera by Gregory Spears with Libretto by Greg Pierce. It is based on the best-selling novel by Thomas Mallon.

  • Ain’t Too Proud by Dominique Morisseau

    Temptations on Broadway

    By: Victor Cordell - Nov 15th, 2019

    Ain’t Too Proud could not exist without high energy performances of the Temptations songs, and they are so authentic, you’d think you’re seeing the actual group. The mix of voices backed by an 18-piece orchestra along with Sergio Trujillo’s exciting choreography hit the mark.

  • Verdi's Requiem with Tedor Currentzis at The Shed

    New Views on a Great Work

    By: Susan Hall - Nov 14th, 2019

    A hundred-member orchestra and an 80-member chorus from Perm Russia perform Verdi's Requiem at The Shed in Hudson Yards, New York. Direct from Salzburg where it received rapturous reviews this re-imagining has been eagerly awaited. For ten days prior to the performances on November 19-24, Jonas Mekas' filmed response to the music was screened. It was at first a shocking take, beautiful images of flower blossoms one after another. The Requiem is a work of sublime beauty. It also has Dylan Thomas's rage at death. Mekas shows this in black screens and sometimes winds raging through branches and dessicating leaves.

  • American Composers Orchestra at Carnegie Hall

    Jamie Barton Featured in Ives' songs

    By: Susan Hall - Nov 14th, 2019

    Jamie Barton showed up at Carnegie on the wings of her tweet, "Be there or be square." Nothing about her performance of some of her favorite songs by Charles Ives was square. She is a gorgeous performer who ventures always to the edge of experience.

  • Manon Lescaut By Puccini

    Produced by San Francisco Opera

    By: Victor Cordell - Nov 11th, 2019

    Manon Lescaut holds some curious distinctions within the Puccini canon. Chronologically, the third of his nine full-length operas, the first two were failures. This was his only opera lauded at its conception by critics and audiences alike.

  • Country Women Concert for Women’s Cancer

    Rocked Boston's Hard Rock Cafe

    By: Doug Hall - Nov 09th, 2019

    Taking the stage for a “blow-out” sold-out performance, both Massachusetts-area country singers Annie Brobst and her band and Samantha Rae with Whiskey-6 delivered an over-charged performance from the heart. Full throttle voices reminded the Hard Rock Café audience of the importance of funding research for women’s cancer.

  • Victoria Bond's Opera Clara

    A Child Prodigy Negotiates Career and Marriage

    By: Susan Hall - Nov 09th, 2019

    Victoria Bond's Clara on the life of the pianist and composer who was married to Robert Schumann premiered at the Easter Festival in Baden-Baden Germany last spring. The German Forum offered a concert version in New York. It is a superb exploration of this important musician.

  • Pacini's Mary Tudor at Odyssey Opera

    First-Rate Mounting of an Under-appreciated Gem

    By: Susan Hall - Nov 06th, 2019

    Queen Mary I is infatuated with the Scottish adventurer Fenimoore, who is in love with Clothilde, who in turn loves Ernesto. Romance and political intrigue are treacherous bedfellows in this opera based on Victor Hugo’s play about Mary Tudor. A remarkable and largely forgotten opera, its expressive vocal characterization paints an unforgettable portrait of a Queen and the repercussions of her indulgence in an unwise love. Presented as a fully-staged production in Italian with English subtitles. Libretto by Leopoldo Tarantini.

  • Wrong Man Off Broadway Musical

    By 2015 Pop Songwriter of the Year Ross Golan

    By: Victor Cordell - Nov 06th, 2019

    Several years ago, 2015 Pop Songwriter of the Year Ross Golan, who has written for Ariana Grande, Maroon 5, Michael Bublé, and many more, developed a concept album called The Wrong Man. The project morphed into a one-man theatrical show that won Ovation Awards in Los Angeles. Now, a compelling, fully-formed, dark, rock opera appears Off Broadway.

  • The Musician John Hiatt

    A Nashville Artist

    By: Philip S. Kampe - Oct 29th, 2019

    I was invited to a 'pop-up' John Hiatt show the Noho section of Manhattan. It was a solo rooftop performance.

  • Boston Country Singers Annie Brobst & Samantha Rae

    Country Women for Women’s Cancer Benefit at Hard Rock Cafe

    By: Doug Hall - Oct 28th, 2019

    Boston’s country singers Annie Brobst & Samantha Rae are behind the Country Women for Women’s Cancer Benefit at Hard Rock Café. The sold out event will occur on Saturday, November 2 at 8PM. The fundraiser will help the Susan F. Smith Center Dana-Farber Cancer Institute.

  • Boston Jazz Entrepreneur Fred Taylor at 90

    What and Quit Show Biz!

    By: Charles Giuliano - Oct 27th, 2019

    Jazz entrepreneur Fred Taylor has passed at 90. He never retired producing concerts and programming for the Cabot Theatre in Beverly. Not surprisingly his yet to be published autobiography, a collaboration with Richard Vacca, is titled What and Quit Show Business. Taylor booked Boston's Jazz Workshop/ Paul’s Mall from 1963 to 1978. From 1991 to 2017 he booked Scullers Jazz Club and produced the Tanglewood Jazz Festival from 2001 to 2007.

  • Billy Elliot at Goodspeed

    Boys of Ballet

    By: Karen Isaacs - Oct 26th, 2019

    Some flaws exist in this production of Billy Elliot directed by Gabriel Barre and choreographed by Marc Kimelman. Barre has changed a few things from the original show and overall they work,

  • Verdi's Nabucco

    Produced by West Bay Opera

    By: Victor Cordell - Oct 22nd, 2019

    Nabucco evidences the Verdi sound and style associated with the masterpieces of his rich middle period. The music is melodious throughout, with demanding arias and complex ensembles, though none are among his more memorable. However, the overture, which includes many of the opera’s themes, captivates and is often performed on its own in concert halls.

  • The Jack Quartet at a Crypt Session

    John Luther Adams Communes

    By: Susan Hall - Oct 21st, 2019

    In The Crypt, composer and performing artists collaborate. Selections of a talented impresario invite artists and audience to enter special moments together. Sounds reverberate from stone as candles cast warm light. Moments nourish the soul to spread and re-capture the precious environment for which composer John Luther Adams has always fought. Adams now focuses on the power of music to transform. In the bows and string of the Jack Quartet, it does.

  • New England Conservatory

    50th Anniversary of Jazz Department

    By: Doug Hall - Oct 21st, 2019

    In recognition and celebration of the 50th anniversary of the Jazz Studies department and the Jazz Studies program, New England Conservatory is hosting Jazz50, a year-long series of concerts and events.

  • Zorn, Hannigan, Jack Quartet, and Sae Hashimoto

    Veterans Room at the Park Avenue Armory

    By: Susan Hall - Oct 16th, 2019

    Super diva Barbara Hannigan and the Jack Quartet with Sae Hashimoto on vibraphone performed the music of John Zorn in the Veterans Room of the Park Avenue Armory. Hannigan had selected this room because she wanted the audience to have an intimate experience. We heard her daring and beautiful take on Zorn’s Jumalattaret, which was even more bold and beautiful than its US premiere in Ojai last June.

  • Marriage of Figaro

    At San Francisco Opera

    By: Victor Cordell - Oct 13th, 2019

    San Francisco Opera’s new production of Marriage of Figaro retains the time frame of the original (late 18th century) but moves the action from Spain to post-Revolutionary America. The shift in venue carries no significance for this opera.

  • Jason Hardink at National Sawdust

    Ives' Concord Sonata and World Premiere Jason Eckhardt

    By: Susan Hall - Oct 10th, 2019

    Jason Hardink will perform at National Sawdust in Williamsburg, Brooklyn on October 20. This is an unusual concert celebrating the centennial anniversary of the premiere of Charles Ives’ Concord Sonata.

  • Tanglewood Learning Institute

    Programming October 2019 Through June 2020.

    By: BSO - Oct 09th, 2019

    The Boston Symphony Orchestra announces Tanglewood’s first-ever fall/winter/spring schedule of performances and activities to take place on the grounds of the famed music festival, October 2019 through June 2020.

  • Mark Twain’s River of Song

    At TheatreWorks Silicon Valley

    By: Victor Cordell - Oct 08th, 2019

    LeKae, a black woman, plays the white boy Huck, and the viewer happily suspends disbelief, as she thoroughly convinces playing the role of the youth as he breaks away from the constraints of convention. They reproduce the escape from the fictitious town of St. Petersburg, Missouri, rafting down the Mississippi, wide-eyed and reveling in the beauty of the world and of freedom.

  • Laurie Anderson at the Kaplan Penthouse

    The Sound of Music and the Music of Language Mix

    By: Susan Hall - Oct 06th, 2019

    Laurie Anderson curated the New York Philharmonic NightCap at the Stanley Kaplan Penthouse on October 5. This nightclub event followed a performance of Hector Berlioz’ Symphonie Fantastique in David Geffen Hall. The host, Nadia Sirota, pointed out that connection between Berlioz’ and Anderson’s work. Both use narrative but that by Anderson and her friends tests the boundaries of sound.

  • Ruggero Leoncavallo’s Pagliacci

    Unique Setting for Boston Lyric Opera Production

    By: Doug Hall - Oct 04th, 2019

    Boston Lyric Opera’s season opener Ruggero Leoncavallo’s “Pagliacci” brings inventive staging and design to their production. It promotes a carnival-like atmosphere that invigorates the storyline and engages the audience.

  • Eugene Onegin by Tchaikovsky

    California's Livermore Valley Opera

    By: Victor Cordell - Oct 01st, 2019

    Eugene Onegin represents all that can be despicable in the idle rich. Baritone Morgan Smith captures the arrogant, unempathetic nature of the character to the extent that one wonders why Tatiana would be so taken by him.

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