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  • Victoria Bond's Opera Clara

    A Child Prodigy Negotiates Career and Marriage

    By: Susan Hall - Nov 09th, 2019

    Victoria Bond's Clara on the life of the pianist and composer who was married to Robert Schumann premiered at the Easter Festival in Baden-Baden Germany last spring. The German Forum offered a concert version in New York. It is a superb exploration of this important musician.

  • Country Women Concert for Women’s Cancer

    Rocked Boston's Hard Rock Cafe

    By: Doug Hall - Nov 09th, 2019

    Taking the stage for a “blow-out” sold-out performance, both Massachusetts-area country singers Annie Brobst and her band and Samantha Rae with Whiskey-6 delivered an over-charged performance from the heart. Full throttle voices reminded the Hard Rock Café audience of the importance of funding research for women’s cancer.

  • Manon Lescaut By Puccini

    Produced by San Francisco Opera

    By: Victor Cordell - Nov 11th, 2019

    Manon Lescaut holds some curious distinctions within the Puccini canon. Chronologically, the third of his nine full-length operas, the first two were failures. This was his only opera lauded at its conception by critics and audiences alike.

  • Ain’t Too Proud by Dominique Morisseau

    Temptations on Broadway

    By: Victor Cordell - Nov 15th, 2019

    Ain’t Too Proud could not exist without high energy performances of the Temptations songs, and they are so authentic, you’d think you’re seeing the actual group. The mix of voices backed by an 18-piece orchestra along with Sergio Trujillo’s exciting choreography hit the mark.

  • Verdi's Requiem with Tedor Currentzis at The Shed

    New Views on a Great Work

    By: Susan Hall - Nov 14th, 2019

    A hundred-member orchestra and an 80-member chorus from Perm Russia perform Verdi's Requiem at The Shed in Hudson Yards, New York. Direct from Salzburg where it received rapturous reviews this re-imagining has been eagerly awaited. For ten days prior to the performances on November 19-24, Jonas Mekas' filmed response to the music was screened. It was at first a shocking take, beautiful images of flower blossoms one after another. The Requiem is a work of sublime beauty. It also has Dylan Thomas's rage at death. Mekas shows this in black screens and sometimes winds raging through branches and dessicating leaves.

  • American Composers Orchestra at Carnegie Hall

    Jamie Barton Featured in Ives' songs

    By: Susan Hall - Nov 14th, 2019

    Jamie Barton showed up at Carnegie on the wings of her tweet, "Be there or be square." Nothing about her performance of some of her favorite songs by Charles Ives was square. She is a gorgeous performer who ventures always to the edge of experience.

  • Mallon’s Fellow Travelers

    Boston Lyric Opera

    By: Doug Hall - Nov 15th, 2019

    Boston Lyric Opera has once again successfully adapted and tackled politically and socially topical subjects in “Fellow Travelers”, an opera by Gregory Spears with Libretto by Greg Pierce. It is based on the best-selling novel by Thomas Mallon.

  • Don Juan

    Westport Country Playhouse

    By: Karen Isaacs - Nov 16th, 2019

    Westport Country Playhouse is giving us a delightful performance of a new adaptation of the Molière play written by Brendan Pelsue and wonderfully directed by David Kennedy.

  • Chicago Symphony Orchestra at Carnegie Hall

    Joyce Di Donato Superb as Cleopatra

    By: Susan Hall - Nov 16th, 2019

    Thrilling moments of the New York fall music season include the arrival of the Chicago Symphony Orchestra at Carnegie Hall. They do not disappoint. The first concert brought forward the superb brass section of the Orchestra in an unjustifiably overlooked early work by Georges Bizet, Roma. No one knows where the title came from.

  • Ain't Too Proud

    Jukebox Musical About The Temptations On Broadway

    By: Aaron Krause - Nov 16th, 2019

    Ain't Too Proud: The Life and Times of The Temptations is playing in Broadway. This show, while a jukebox musical, does more than string a series of hits together. The dancing is electric and the singing is expressive.

  • Michelle Wiley et Les Garcons

    Evening of Eclipse Cabaret

    By: Charles Giuliano - Nov 17th, 2019

    It was standing room only last night for a packed cabaret in the gallery of the Eclipse Mill in North Adams. The chanteuse, Michelle Wiley et les Garcons, (Opie O'Brian. Carl Oman and guest guitarist) regaled us with two long sets. The program conflated Edith Piaf with Irving Berlin. Dancing was encouraged.

  • Tristan and Isolde Act II at Lincoln Center

    White Light Festival Features Goerke and Gould

    By: Susan Hall - Nov 18th, 2019

    Inducing current audiences to listen to Wagner operas is difficult. Ninety minutes seems to perfect time slot for young people. Wagner's operas can last for six hours. Can they be cut? Probably not without violating their essence. Producing an Act in concert form makes sense. The White Light Festival presented a spectacular concert based on Act II of Tristan and Isolde.

  • Artist Jane Hudson at Tourists

    Birthday Celebration on Becoming Jane

    By: Charles Giuliano - Nov 21st, 2019

    The upscale Tourists a hip, designer savvy resort in North Adams, has launched a program of evenings with artists. Last night there was a cozy, well attended fireside chat with artist and musician Jane Hudson. She and her husband Jeff operated Hudsons Antiques formerly at MASS MoCA. They also perform music as Jeff and Jane. Both are widely exhibited artists. She discussed phases of her career which I have followed as friend and commentator since the late 1960s. It was also her birthday.

  • Conrad Tao Debuts at Carnegie Hall

    Barefoot and Brazen Tao Makes a Case for the Piano

    By: Susan Hall - Nov 21st, 2019

    The young musical polymath Conrad Tao made his debut at Carnegie Hall. In an ambitious program, designed in part to display the elements of virtuoso performance on the piano, Tao played representative composers from J. S. Bach to David Lang and Julia Wolfe.

  • Tootsie On Broadway

    Musical Adaptation Continues Through Jan. 5.

    By: Aaron Krause - Nov 19th, 2019

    Tootsie features a Tony-winning performance by actor Santino Fontana. The musical adaptation of the popular 1982 film continues through Jan. 5. The stage show is a big, splashy and funny musical comedy.

  • Teodor Currentzis Brings Verdi to The Shed

    Dramatic Performance Accompanied by Jonas Mekas Images

    By: Susan Hall - Nov 22nd, 2019

    The Verdi Requiem conducted by Teodor Currentzis with the musicAeterna Orchestra and Chorus is performed at The Shed through November 24. The McCourt is a grand space and can seat 1,250 and hold 2000 standing. Designed to be flexibly conformed, this performance has bleacher seats extending from the floor before the stage up to the rafters, or heavens if you will. This program's music is both other-worldly and very much in the now.

  • Lucy Dhegrae at National Sawdust

    Giving Voice to Rape

    By: Susan Hall - Nov 24th, 2019

    Lucy Dhegrae, a superb mezzo soprano, lost her singing voice after an assault. In finding her singing voice again, she follows the sounds of a human from the first grunts and breaths to the glorious free sounds of song. Dhegrae is National Sawdust's Artist-in-Residence.

  • Hansel and Gretel

    At Opera San José

    By: Victor Cordell - Nov 30th, 2019

    Opera San José’s production is specifically designed to be family friendly. The opera is sung in English and the supertitles are given in pretty basic vocabulary. Yet, only 15% of the audience is children, so adults, do feel welcomed. It is a quality production, beautifully staged and sung, that will satisfy audiences of all ages and levels of opera understanding.

  • Seance with Benjamin Britten at Crypt

    String Quartets One and Two Spectral

    By: Susan Hall - Dec 05th, 2019

    The Crypt Session as imagined and realized by Death of Classical point the way to music’s lifefulness going forward. New, young audiences wait for months to get a ticket to one of these events. Tickets sell out moments after events like this Salon Séance are announced. Andrew Ousley, whose creation Crypt Sessions and The Catacombs assures us that more events in new locations are coming. A cave is promised in the future.

  • Newsies the Musical

    At Hillbarn Theatre

    By: Victor Cordell - Dec 09th, 2019

    What makes Newsies really jump is the dancing with the accompanying choruses like “Carrying the banner” about the independent but challenging life of selling papers on the streets, and “Seize the day” about striking to get their due.

  • Joe Rosen Presents Clarinet Quintets

    New Insights Into the Form

    By: Susan Hall - Dec 07th, 2019

    An active patron of New York music associations, Joe Rosen is a first-rate amateur clarinetist who opens his home to salons. Here young musicians accompany him in chamber music pieces. Recently he changed his method of operation. Instead of transposing one string instrument's part for clarinet, he is performing quintets specifically written for the instrument. The clarinet's mellow, earthy timbre is revealed.

  • Amahl and the Night Visitors

    Gian Carlo Menotti's Christmas Spirit for Today

    By: Susan Hall - Dec 10th, 2019

    On Site Opera revived what one hopes will become an annual production of Gian Carlo Menotti's Amahl and the Night Visitors. In choosing settings for familiar and unfamiliar operas, On Site adds an intriguing dimension to the form. With Amahl, the location in the Holy Apostles Soup Kitchen returns the opera to its original meaning.

  • Heartbeat Opera's Der Freischutz

    Louisa Proske Creates a Present Moment

    By: Susan Hall - Dec 11th, 2019

    Der Freischutz is everything an 1821 opera should be in a present day performance. The brilliant conception by Louisa Proske, credited with the adaptation and direction, surrounds us from the moment with enter the theater. The circle in the square encompasses the audience. Next to the home of Agathe at one point in the circle is a looming rock which is part of the Wolf Canyon. The orchestra is inside the circle under one section of audience. In the largest seating area, a platform extends. The singing actors use all these spaces. They come very close to us at time, ignoring our presence, but allowing us to see into their souls. Immersion hardly describes what the production offers.

  • Lucy Shelton at National Sawdust

    Legendary Singer of Contemporary Song Lofts Stravinsky and Rochberg

    By: Susan Hall - Dec 16th, 2019

    Lucy Shelton, the legendary soprano, did not let us forget. If we don't live in the action and passions of our musical times, we risk not having lived at all. Igor Stravinsky vocalise, with no words and only sung notes, introduced the evening.

  • Second Mainstage Musical for Barrington Stage Company

    Ain’t Misbehavin’ Joins South Pacific

    By: Barrington Stage - Dec 17th, 2019

    Can there be too much of a good thing? Barrington Stage Company is known for staging classical musicals. But now Ain't Misbehavin has been added to South Pacific. This seems more about the bottomline than balanced programming. The Assembled Parties by Richard Greenberg is the third high season production on the Boyd-Quinson Mainstage. Anna in the Tropics, the Pulitzer Prize-winning play by Nilo Cruz, will highlight the St. Germain Stage.

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