Share

Susan Hall

Bio:

Recent Articles:

  • Adriana Lecouvreur at Metropolitan Opera Front Page

    Gala Features Beczala, Maestri, Netrebko, and Rachvilishvili

    By: Susan Hall - Jan 03rd, 2019

    Adriana Lecouvreur was brought to New York most recently in a Carnegie Hall concert by Eve Queller’s Opera Orchestra of New York. Angela Gheorghiu came to sing the diva role and was delicious, both touching and full of haughty allure. When Anna Netrebko expressed interest in the Adriana role, The Metropolitan Opera joined with five partners and hired the stalwart Sir David McVicar to produce.

  • Alvin Ailey Company's 60th Anniversary Front Page

    Evening of Robert Battle's Choreography

    By: Susan Hall - Dec 29th, 2018

    Alvin Ailey American Dance Theater is celebrating its 60th Anniversary. An improbable start at the same time the civil rights movement was heating up has led to the company's pre-eminent position in dance. Audiences are of all hues and all ages. This year has concluded at their City Center home in New York.

  • El Nino, a Nativity Oratorio, at Cloisters Front Page

    Julia Bullock and the American Modern Opera Company Featured

    By: Susan Hall - Dec 23rd, 2018

    John Adams and his frequent collaborator, Peter Sellars, focused on the Nativity when they created El Nino, a Christmas Oratorio. Handel's Messiah, the most frequently performed music for Christmas, sprawls into Easter. Now we have marvelous seasonal music for our time.

  • Thomas Oliemans at Park Avenue Armory Front Page

    Malcolm Martineau Joins Baritone

    By: Susan Hall - Dec 18th, 2018

    Thomas Oliemans, a Dutch baritone, sang in the Officer's Room at the Park Avenue Armory. His first line evokes love's bite, suggesting a mix of pleasure and pain that would inform his program. The tall-full-voiced baritone was accompanied by Malcolm Martineau whose delight in the songs of Charles DuParc and Gustav Mahler was apparent.

  • Strange Window at Next Wave, BAM Front Page

    Marianne Weems Re-invents Henry James

    By: Susan Hall - Dec 16th, 2018

    The Builder’s Association re-invented Henry James’ Turn of the Screw for today. Strange Window takes its title from a story James heard from the Archbishop of Canterbury. A woman was so fearful of strange figures who appeared in the windows of her home that she moved to protect her children.

  • J'nai Bridges and Mark Markham at Carnegie Front Page

    Songs and Spirituals Tell a Story

    By: Susan Hall - Dec 14th, 2018

    J’nai Bridges told us stories at her concert in the Weill Hall of Carnegie. The program began with a spiritual arranged by Bridges and her stunning partner on piano, Mark Markham. Spirituals and lullabies bracketed the program.

  • Matthias Goerne at the New York Philhamonic Front Page

    A Journey into Mystery

    By: Paul J. Pelkonen - Dec 11th, 2018

    For their last program before the annual dive into holiday season concerts, Jaap van Zweden and the New York Philharmonic gave their audience something unique: a song cycle created from the work of two composers and featuring the voice of Matthais Goerne, the German lieder specialist who sings Wotan on van Zweden's new recording of Wagner's Ring.

  • The Prisoner by Peter Brook and Marie-Hélène Estienne Front Page

    Large Questions at Theatre for a New Audience

    By: Susan Hall - Dec 09th, 2018

    We are in a neutral country, anywhere in the world where crimes are committed and people are punished. The question that pervades the quiet space of The Prisoner by Peter Brook and Marie-Hélène Estienne concerns appropriate retribution.

  • Onsite Opera Follows Menotti's Star Front Page

    Amahl and the Night Visitors Reimagined

    By: Susan Hall - Dec 08th, 2018

    Amahl and the Night Visitors was commissioned as a Christmas television special a half century ago. The composer, Gian Carlo Menotti, would appear often at its live presentations. He often pointed out that this is a story of a boy who has problems with his mother. He would ask members of the audience to raise their hands if they did. Most of the audience held their hands up high. That is not the only reason to enjoy this Christmas classic to which OnSite Opera has brought a new vision for today.

  • The Apple Boys by Jonothon Lyons and Ben Bonnema Front Page

    A Barbershop Quartet Offers Joy at HERE

    By: Susan Hall - Dec 07th, 2018

    Apple Boys bring the Barbershop Quartet into the 21st century. This musical form my have started as early as Beaumarchais in Barber of Seville in the 18th century. Both black and white musicians claim ownership. Every culture which discovered “harmony” in combined voices has used the four singer form.

  • Kentridge at Park Avenue Armory Front Page

    African Carriers in World War I

    By: Susan Hall - Dec 05th, 2018

    The Head and The Load by William Kentridge was prepared at Mass MOCA and arrives full-blown at the Park Avenue Armory in New York. We come, if not to know, to appreciate the contributions of hundreds of thousands of Africans to the Western effort in World War I. Who knew that African men were forced into service?

  • War at the New York Philharmonic Front Page

    Jaap van Zweden Conducts

    By: Paul J. Pelkonen - Dec 02nd, 2018

    The extraordinary history of the Second World War casts a long shadow on any art music written in Europe in the 1930s and '40s. This week, the New York Philharmonic paired two of these works in a program of extraordinary intensity under music director Jaap van Zweden: a program that seemed to ask the following. Can art music, created under the shadow of extraordinary political and human event, somehow manage to transcend its origins and remain relevant to the audiences of today?

  • Chelsea Opera: Tom Cipullo One Acts Front Page

    Melissa Wimbish, Jennifer Beattie, Steven Eddy and Sara Paar

    By: Susan Hall - Dec 02nd, 2018

    Chelsea Opera is an enterprising company, now over fifteen years old. They presented two one-act operas by composer Tom Cipullo, a master of drama and the placement of notes in the voice. The setting in Christ and St. Stephen’s Church worked perfectly as staged by Dean Anthony, a singer who has spent the last decade successfully directing. A golden glow surrounds the now 68-year-old Josephine Baker who is being interviewed in her dressing room.

  • Hello Girls at 59E59 Theaters Front Page

    Over There is Brought Here

    By: Rachel de Aragon and Susan Hall - Dec 01st, 2018

    Hello Girls takes a most serious context, the fate of the troops in the trenches of WWI, and tackles the still relevant issue of women's rights and equality. The play harvests an engaging, upbeat and energized performance. Interesting and visually meaningful use of overhead projections (Lacey Ebb) provides both context and mood. The set plays with use of wire and lines, telephone lines, stringed instruments, rail lines battle-lines, and lines of march, which work together remarkably well.

  • MasterVoices Handel's Israel in Egypt Front Page

    Carnegie Hall Stage Bursting with Artists

    By: Susan Hall - Nov 30th, 2018

    Handel’s Israel in Egypt was performed at Carnegie Hall by MasterVoices under Ted Sperling’s baton. The Oratorio planned for Easter and Passover is often presented at Christmas and Hanukkah.

  • Il Trittico at the Metropolitan Opera Front Page

    Placido Domingo Celebrates 50 years at the Met

    By: Paul J. Pelkonen - Nov 28th, 2018

    No work by Puccini has suffered more neglect and critical ignorance than Il Trittico, his "triptych" of three single act operas that premiered at the Metropolitan Opera one hundred years ago. Part of what has hurt the reputation of this work- comprised of three operas designed to be performed together and in a certain sequence- is the unfortunate habit producers have of playing these works individually, or pairing them "Cav-Pag" style with operas by other composers.

  • Chelsea Opera's Josephine Baker, Gertrude Stein and Picasso Front Page

    Tom Cipullo's Opera Featured

    By: Susan Hall - Nov 27th, 2018

    Chelsea Opera is a vibrant company committed to presenting new opera as well as the classics. On 1 December they will mount two one act New York premiers by the gifted composer, Tom Cipullo. Cipullo is rightly known as a composer for the voice, as well as a dramatist who creates a sound world of apt harmonies and melodies which reveal deep character and emotion. Opportunities to hear his work in New York are eagerly anticipated.

  • Eve's Song at Public Theater Front Page

    Patricia Ione Lloyd Is Playwright in Residence

    By: Rachel de Aragon - Nov 26th, 2018

    The invulnerability of middle-class achievement is haunted. Spooked by the present staccato-like news flashes from the television tell of black men shot, killed, dead . “We” don't discuss that sort of thing at dinner. Dark phantoms, shadows of women slide along the corridor where fear is a weakness which is not part of who 'we' are.

  • Kaija Saariaho Premiere at White Light Festival Front Page

    Lincoln Center Produces Only the Sound Remains

    By: Susan Hall - Nov 18th, 2018

    Kaija Saaariaho weaves live music, enhanced voices and electronically generated extensions of the orchestra through the Rose Theater in Only the Sound Remains. Her opera based on two Noh stories is having its US premiere at the White Light Festival of Lincoln Center. This is an intimate work which succeeds mysteriously in filling a large space.

  • Severin von Eckardstein Performs at the Park Avenue Armory Front Page

    Schumann Featured in The Officer's Room

    By: Susan Hall - Nov 15th, 2018

    Severin von Eckardstein, the young German pianist, trailing multiple awards, arrived in New York for two concerts featuring Robert Schumann, for whom he has a clear affinity. If the composer was with us, he would have reciprocated.

  • Joyce di Donato, Mason Bates and Philadelphia Orchestra Front Page

    Yannick Nézet-Séguin Leads

    By: Paul J. Pelkonen - Nov 15th, 2018

    Before he took the job as the music director of the Metropolitan Opera, the conductor Yannick Nézet-Séguin became leader of the Philadelphia Orchestra. Happily for both ensembles he appears willing and able to balance duties in both cities. On Tuesday night, the maestro and his band came to Carnegie Hall for the first of their scheduled subscription appearances this season. They brought with them an impressive centuries-spanning program that played to the many strengths of this remarkable ensemble.

  • New Federal Theatre Presents Fall Reading Series Theatre

    The Best of Two Character Plays Honors Ntozake Shange

    By: Susan Hall - Nov 13th, 2018

    Woodie King's New Federal Theatre has dedicated its November Readings Series to the memory of the late playwright Ntozake Shange, who died October 27. New Federal Theatre's close association with Ntozake Shange goes back to its 1976-76 season, when it presented the first production of "For Colored Girls Who Have Considered Suicide When the Rainbow is Enough."

  • Mefistofele at the Metropolitan Opera Front Page

    Christian Hale is the Devil

    By: Paul J. Pelkonen - Nov 12th, 2018

    The Devil always gets a bad rap. That's the premise behind Mefistofele, Arrigo Boito's lone completed opera. An ambitious setting of Goethe's Faust that retells the story from the Devil's point of view, Mefistofele used to prance its sulfur strut across the world's opera stages. But Thursday night's revival at the Metropolitan Opera was the first time that the opera had been seen, fully staged, in New York in eighteen years.

  • The Book of Merman at the St. Luke's Theatre Front Page

    A Parody of a Parody is Brash and Fun

    By: Susan Hall - Nov 12th, 2018

    The Book of Merman is an engaging musical playing at the St. Luke's Theatre in New York. A parody of a parody, it is fresh from the first moment the two Mormon Elders, who are very young indeed, start knocking on doors in the theater district.

  • The Doctor in Spite of Himself at Odyssey Opera Front Page

    Gounod's 200th Birthday Celebrated in Style

    By: Susan Hall - Nov 10th, 2018

    Odyssey Opera mounted a terrific production of Charles' Gounod's A Doctor in Spite of Himself at the Huntington Theater in Boston. Gil Rose, the inspired founder of this company, points out that critics often blame institutions for riding the coattails of a big birthday of an musical original. If this is so, why is Gounod's 200th not being celebrated. It turns out that it is, in Boston.

  • << Previous Next >>