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Opinion

  • NY Times States Pay to Play

    No More Free Lunch

    By: Charles Giuliano - Mar 18th, 2011

    The New York Times today in an e mail blast is announcing that it will no longer put out for nothing. While it makes sense to charge for world class content there is a glut of free information on line. Why does this feel like a desperate last stand for the once mighty media giant. What is not evident in this move is the potential decline of readership and an erosion of authority and influence. While older Times readers may well pony up it is unlikely that anyone under 40 will bother and the Times, accordingly, has abandoned its next generation of potential readers.

  • Berkshire Critic Larry Murray Seven

    It's a Wrap

    By: Larry Murray and Charles Giuliano - Mar 12th, 2011

    In this final installment of their dialogue Murray and Giuliano discuss cutting edge theatre which is a mainstay of America Repertory Theatre in Cambridge. And why there is nothing like that in the Berkshires. Murray defines an approach as providing information to readers to help in making informed choices. With so much being offered this summer it is less about competition and more about a critical mass of superb theatre.

  • Steve Nelson, The Bosstown Sound, Three

    Boston Hype Fizzles, James Brown Sizzles

    By: Steve Nelson and Charles Giuliano - Mar 06th, 2011

    We continue our conversation with Steve Nelson, president of the Music Museum Of New England, and manager of legendary 1960s rock and blues club The Boston Tea Party. This third part of an extended dialogue with Charles Giuliano reviews “The Bosstown Sound,” a record business promotion to cash in on the emerging musical talent in Boston, and recalls how Dr. Martin Luther King’s assassination impacted the club and the city.

  • Berkshire Critic Larry Murray Six

    Media Impact of Social Networking

    By: Larry Murray and Charles Giuliano - Mar 01st, 2011

    Blogs and the social networks routinely scoop print media on news, previews and reviews. By the time newspapers cover arts stories they may be days old. Arts organizations continue to rely primarily on print reviews to sell tickets but that has changed dramatically in the past few years. Through blogs and tweets Broadway shows with long previews may be dead in the water by opening night. Through internet coverage audiences make up their minds on ticket sales before reviews appear in print.

  • Eagle Drops Shoe on Berkshire Living

    Slogging Through the Mud Months

    By: Charles Giuliano - Feb 26th, 2011

    For the past six years Berkshire Living and its related publications have competed for the advertising that had previously been the domain of the Berkshire Eagle/ North Adams Transcript and weekly Advocate. An Eagle news report aggressively explores the sale and merger of Berkshire Living with Today Media. The story includes the personal financial issues of publisher Michael Zivyak as well as recent news coverage of editor Seth Rogovoy who was "discharged from the jury of a high-profile Berkshire Superior Court case after he posted a court-related comment on Twitter."

  • Critic Larry Murray Five

    Blogs and Social Networking

    By: Larry Murray and Charles Giuliano - Feb 22nd, 2011

    In the current political turmoil in the Middle East we have seen how Facebook, e mail, and social networking have resulted in resistance and regime changes. Developments in information technologies have eroded the dominance of traditional media systems. Today with access to the internet and web sites anyone can be a critic or journalist. Murray and Giuliano explore the implications and their role in covering the arts.

  • Art Critic Greg Cook Four

    Maintaining a Critical Distance

    By: Greg Cook and Charles Giuliano - Feb 18th, 2011

    In addition to writing about art for the Boston Phoenix and the new England Journal of Aesthetic Research Greg Cook is also a studio artist. In this final installment of a dialogue Cook describes how he attempts to avoid any perception of conflict of interest. As an artist, however, he feels solidarity with their struggles. In particular he resents the lack of national recognition for all but a few Boston artists.

  • Stuart Chase’s Berkshire Museum Resignation

    Clarification and Further Questions

    By: Charles Giuliano - Feb 18th, 2011

    The Berkshire Museum insists that there is no substance to our speculation that the resignation of Start Chase as its executive director was "abrupt" or the result of a conflict with the Board regarding the use of the Florence Keep & Josephine Crane Fund. It is named for the donors of the works which were sold for $7 million. By e mail Chase responded to a request for clarification of the current status of the acquisition fund and its recent use.

  • Stuart Chase Resigns Abruptly from Berkshire Museum

    Push Comes to Shove in Board Conflict

    By: Charles Giuliano - Feb 15th, 2011

    Other than a press release nobody is talking about the surprising and sudden resignation of Stuart Chase as director of the Berkshire Museum in Pittsfield. Sources indicate that there was a conflict with the Board about the proper use of $7 million thorough the sale, several years ago, of three paintings by the Russian artist, Boris Dimitrievich Grigoriev (1886-1939).

  • Berkshire Critic Larry Murray Four

    Separating the Personal and Objective

    By: Larry Murray and Charles Giuliano - Feb 14th, 2011

    Interviews provide access to the primary source. There is much to be learned through dialogues with actors and directors. But it also entails a conflict of interest and concerns when we have to write about their work. Does that entail softening the blow when we don't respond to a production? This installment of an extensive dialogue explores the tricky business of honestly informing the reader. It is the reason why some critics refuse to conduct interviews.

  • Hat Dance: Cook and Giuliano Three

    The Critic as Artist and Curator

    By: Greg Cook and Charles Giuliano - Feb 07th, 2011

    Can one be a servant of two masters? What happens when art critics Greg Cook of the Boston Phoenix and Charles Giuliano of Berkshire Fine Arts wear more than one hat as artists and curators. This installment of their extended dialogue focuses on Giuliano's epxeriences working with artists as director of exhibitions for New England School of Art & Design at Suffolk University.

  • Critic Larry Murray Three

    From PR and Marketing to Berkshire on Stage

    By: Larry Murray and Charles Giuliano - Feb 05th, 2011

    After a career in marketing and PR for the BSO and Boston Ballet, and years running Arts Boston, in the past few seasons Larry Murray has made the transition to theatre critic. In this installment the publisher/ editor of Berkshire On Stage discusses how a life in the arts has entailed both side of the footlights.

  • Steve Nelson Music Museum Of New England

    Two: Ray Riepen and The Boston Tea Party

    By: Steve Nelson and Charles Giuliano - Feb 05th, 2011

    Steve Nelson, president of the Music Museum Of New England, was the manager of legendary 1960s rock and blues club The Boston Tea Party. It was owned by Ray Riepen, a lawyer who came from Kansas City to become the leading entrepreneur in the Boston/Cambridge “counterculture” of the era. This second part of an extended dialogue with Charles Giuliano looks at how the Tea Party started and became a phenomenon.

  • Phoenix Critic Greg Cook; Two

    Museums and Local Artists

    By: Greg Cook and Charles Giuliano - Jan 31st, 2011

    In this installment, rural critic, Charles Giuliano, and metropolitan critic, Greg Book of the weekly, Boston Phoenix, compare and contrast issues of covering their arts communities. A primary difference is how the arts in the Berkshires are integral to driving the cultural economy. Cook comments on an uneasy relationship between museums and the community of local artists.

  • Larry Murray of Berkshire On Stage

    Recalling Sarah Caldwell and E. Virginia Williams

    By: Larry Murray and Charles Giuliano - Jan 31st, 2011

    Larry Murray moved from promoting the Pocket Mime to the BSO and Boston Ballet. He also worked with the legendary opera promoter Sarah Caldwell. He was on duty and fielded the press calls when his friend Arthur Fiedler passed away. In this second installment Murray describes his early years in theatrical marketing and PR.

  • Boston Arts Tips: Feb. March

    Ajax at ART and Lots More

    By: Barbara Brilliant - Jan 31st, 2011

    So far Boston is on track for a record winter of snow. But take heart, dear Valentines, Barbara Brilliant had lots of suggestions for how to artfully hunker down until spring. The uplifing Marry Poppins will surely cheer your spirits. There are also performances to enjoy for free.

  • Berkshire Theatre Critic Larry Murray

    On and Off Broadway Part One

    By: Larry Murray and Charles Giuliano - Jan 25th, 2011

    Initially, Larry Murray and Charles Giuliano divided coverage of the four major Berkshire theatre companies as well as the Colonial and Mahaiwe. Murray retired to the Berkshires after a long career as a publicist and marketing specialist for a range of organizations including the BSO, Boston Ballet, and Sarah Caldwell's Opera Company. He started his own blogs Arts America and Gay in the Berkshires. Last season he left BFA to focus on a new site Berkshire on Stage. This is the first of several dialogues about his career in the arts and an overview of the critical condition.

  • Steve Nelson on The Boston Tea Party

    Reelin' and Rockin' (Part 1)

    By: Steve Nelson and Charles Giuliano - Jan 24th, 2011

    From 1967 to 1970 Steve Nelson produced rock and blues shows at The Boston Tea Party, The Woodrose Ballroom in South Deerfield, MA and Paramount Theatre in Springfield, MA. Now he is a co-founder of the Music Museum Of New England. Charles Giuliano was art director and then music critic for Boston After Dark, which became The Boston Phoenix. They spoke about the Museum and the music scene back in the day. This is the first of four parts of their conversation.

  • Boston Art Critic Greg Cook

    Part One of a Dialogue

    By: Greg Cook and Charles Giuliano - Jan 22nd, 2011

    During the 1960s Charles Giuliano was the art critic for Boston After Dark which evolved as The Boston Phoenix. Later distinguished Phoenix art critics included Kenneth Baker, David Bonetti and Christopher Millis. Currently Greg Cook is the art critic for the Phoenix. Spanning generations this is part one of a dialogue on covering the Boston art world and the state of criticism.

  • Mayor Dick Alcombright's State of the City

    Mid Point of First Term in North Adams

    By: Dick Alcombright - Jan 12th, 2011

    When Dick Alcombright defeated John Barrett as Mayor of North Adams, after a tenure of 26 years, nobody anticipated that it was going to be easy. While the city had come back from the dark days when Sprague Electric, the primary employer, shut down that progress appeared to have stalled. In this address Alcombright discusses progress and issues that remain ahead.

  • Branding the Berkshires

    Marketing July 4th Weekend

    By: Charles Giuliano - Dec 01st, 2010

    For most of us right now its jingle bells. With the announcement of the 2011 Tanglewood schedule this week, however, Berkshire arts organizations are hard at work planning a fast launch to the season on the Fourth of July. But, like Abbott and Costello, come summer, let's hope they aren't wondering about "who's on first." There is desperate need for branding, pooled resources, and a marketing strategy for the Berkshires.

  • December Arts Picks

    A Brilliant Overview

    By: Barbara Brilliant - Nov 28th, 2010

    Our Boston arts and entertainment correspondent has been making a list and checking it twice. There is a lot of fun for the whole family on tap for the holiday season. Barbara Brilliant once again provides a cheat sheet to the best and brightest offerings and convenient links to the box office.

  • Colonial/ BTF Merger: Now What

    Thinking Outside Pandora’s Box

    By: Charles Giuliano - Nov 22nd, 2010

    There is a domino impact for the arts in the Berkshires with the merger, over the next year, of the Colonial Theatre and the Berkshire Theatre Festival. A more dynamic Colonial increases the critical mass and leadership of Pittsfield as the matrix and hub of the arts and cultural economy. It is equidistant from the boundaries of the region that represent more than an hour to drive from one end to the other. Strengthening the thriving arts community in Pittsfield changes the paradigm for the region. It increases the potential for synergy or competition.

  • Berkshire Theatre Festival and Colonial Theatre

    Contemplating Collaboration

    By: Charles Giuliano - Nov 18th, 2010

    With a $21.6 million renovation the 107-year-old Colonial Theater reopened in Pittsfield in 2006. Running with an average of just under half a house, with too many dark nights, the Colonial has yet to live up to its potential. In a bold move it may partner with the venerable Berkshire Theatre Festival, as early as June, 2011 to produce what are likely to be popular musicals with bankable stars.

  • November at the Colonial Theatre

    Tommy Tune to Arlo Guthrie

    By: Colonial - Oct 15th, 2010

    November iz shaping up as a busy month for the Colonial Theatre in Pittsfield. It starts with The Spencers, Nov. 6 then sweeps in Tommy Tune on the 12. Kate Clinton appears on the 13th with Ani DiFranco on the 16th followed by Arlo Guthrie, 20th, Kathy Mattea, 27th and Sound of Christmas, 30th. That brings us up to the Holidays with lots of merry cheer.

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