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Music

  • Breaking Through at Pasadena Playhouse

    World Premiere Musical

    By: Jack Lyons - Nov 06th, 2015

    The world premiere of “Breaking Through”, a musical with a book by Kirsten Guenther and music and lyrics by Cliff Downs and Katie Kahanovitz, is now on stage at The Pasadena Playhouse under the direction of Playhouse Artistic Director Sheldon Epps.

  • Christine Brewer and Paul Jacobs at Alice Tully Hall

    Lusty Prayers Presented by the White Light Festival

    By: Susan Hall - Nov 02nd, 2015

    Paul Jacobs, head of the organ department at the Juilliard School, and a magnificent performer invited Christine Brewer, the huge-voiced soprano of great delicacy, to join him in concert. Their alliance is for the ages.

  • William Christie Conducts at Lincoln Center

    Handel's Theodora is Heavenly in White Light Festival

    By: Susan Hall - Nov 01st, 2015

    William Christie's Les Arts Forissants performances in New York are eagerly anticipated. Theodora, a late oratorio of Handel, delivered in spades. Listeners got the music, the story, the orchestra and chorus and magnificent individual singers.

  • Van Zweden at New York Philharmonic

    Inon Barnatan Joins the Magic-Making

    By: Susan Hall - Oct 30th, 2015

    While listeners do not always agree with Jaap van Zewden's take on the classics, everyone is thrilled to listen. Taking the music in long arcs, permitting interpretation by individual artists in the orchestra and accompanying soloists, van Zweden is a passionate and generous music-maker. The New York Philharmonic was alive with the sound of music.

  • Muddy Waters

    Got His Mojo Working

    By: Charles Giuliano - Oct 28th, 2015

    Young British rockers Stones, Yardbirds, Clapton, Beck lapped up Muddy's licks on those iconic Chess Records. Copped his tunes some morphed from Robert Johnson King of the Delta Blues. Always a thrill when he came to town and held court.

  • Gil Shaham and David Michalek Translate Bach

    Extraordinary Music and Visuals at Zankel Hall

    By: Susan Hall - Oct 26th, 2015

    Having attended William Kentridge’s illustration of Schubert’s Winterriese cycle sung by Mathias Goerne, the first image projected for the video accompaniment of Solos for Violin by Bach came as a shock. A small baby, lying on his back, seems to be listening to the Bach, as Gil Shaham begins to play the first Sonata. A revelation followed.

  • The BSO Plays Prokofiev and Rachmaninoff

    Ice Cracks and Violins Dance at Carnegie Hall

    By: Susan Hall - Oct 24th, 2015

    For the third evening of their triptych at Carnegie Hall, conductor Andris Nelsons presented the Russians at their bipolar best: dark battles and wild dances. Nelsons introduced himself at Tanglewood two years ago with a performance of the Symphonic Dances. He and the Boston Symphony exceeded themselves at Carnegie.

  • Goerke as Elektra at Carnegie Hall

    Nelsons Conducts the Boston Symphony Orchestra.

    By: Susan Hall - Oct 21st, 2015

    In 2014 Nelsons conducted Strauss' Salome at Carnegie. What a reprise Elektra is. Experience at Bayreuth may give the Maestro the ability to bring out the Wagner in Strauss, and then go far beyond to the condensed emotional pitch of Strauss and to his sheer beauty. Christine Goerke, fresh from her triumph in Turandot at the Metropolitan Opera, gave a performance for the ages.

  • Christine Goerke as Elektra at the BSO

    Boston Audience Bonkers Over Performance

    By: David Bonetti - Oct 20th, 2015

    Strauss's early operatic masterpiece follows its Greek model closely to reveal the neurosis at the heart of modern life. Andris Nelsons led a white-hot BSO performance of a lurid, fin-de-siecle masterpiece. The cast, led by Christine Goerke, Jane Henschel and Gun-Brit Barkmin, was stellar.

  • Mark Padmore, Tenor and Kristian Bezuidenhout

    White Light Festival Presents An Evanescent, Everlasting Schubert

    By: Susan Hall - Oct 18th, 2015

    Lincoln Center's innovative White Light Festival offered a delicious treat in their presentation of the Winterreise Song Cycle. Tenor Mark Padmore and Kristian Bezuidenhout on a fortepiano led us through a journey as the protagonist of the Muller poems trudges through his own. The fortepiano was used by Schubert and has a light touch, and a softer sound, with fewer overtones than a piano forte. For this performance, the singer and pianist were very much a partnership of equals.

  • The Passion of Joan of Arc with Live Music

    Donald Greig Devises a Score Presented at the Miller Theatre

    By: Susan Hall - Oct 17th, 2015

    Silent films of the 1920s began when the theatre lights dimmed and a conductor marched down the aisle He raised his baton, the curtains opened. On flashed the film accompanied by the orchestra. At the Miller Theatre, five singers entered the stage and as the film started, they sang.

  • No Beast So Fierce Adapts Richard III

    Chicago's Oracle Productions

    By: Nancy S. Bishop - Oct 14th, 2015

    The number of characters played by the cast of eight has by necessity been reduced to 14 from the 35 to 40 in Shakespeare's version. Cramming all of Richard III into 90 minutes means eliminating some nuances and character motivations.

  • Nezet Seguin, Musician of the Year, Conducts The Philadelphia Orchestra

    Lofting a Trifecta at Carnegie Hall

    By: Susan Hall - Oct 14th, 2015

    The Philadelphia Orchestra under Yannick Nézet-Séguin is well served by Carnegie Hall. Carnegie announced that this concert would be recorded and later available worldwide. Watch for it. An extraordinary evening of music-making was offered. It would be disingenuous not to mention succession at the Metropolitan Opera. When James Levine cancelled conducting an important production of one of 'his' operas, Nézet-Séguin's name was the first to emerge as the new music director.

  • BLO's "La Boheme" Reset in '68 Paris

    Period Change Does Not Diminish an Iconic Opera

    By: David Bonetti - Oct 09th, 2015

    We always love bohemians - or at least we used to - but most of us wouldn't want to live the lives of poverty and disease they endured for our entire lives. The classic story of the poet Rodolfo and the doomed seamstress Mimi has jerked tears from audiences since its premiere in 1896. The BLO's production hit all the necessary points without reaching the highest peaks.

  • Hibla Gerzmava Seduces at Carnegie Hall

    The Soprano from Abkhazia

    By: Susan Hall - Oct 09th, 2015

    Hibla Gerzmava floats notes as though they made an effortless journey from her heart into the surrounding Hall in which she performs. Glamorous and a consummate actress, all the focus is on the gorgeous music that she lofts. It was a special evening at Carnegie Hall in which we got a taste of her perfection as Desdemona in Otello.

  • Dizzy

    Grroving High with a Bahai

    By: Charles Giuliano - Oct 08th, 2015

    I named by parakeet Dizzy Gillespie. Hanging with iconic hipster in a cruise of Boston Harbor with arts elder Elma Lewis.

  • Laurie Anderson's Habeas Corpus

    Project with Mohammed El Gharani in New York

    By: Susan Hall - Oct 05th, 2015

    As globalization brings us closer together, frequent reminders of the horrors we perpetrate on each other are invaluable. A young man who was 14 when he was arrested, tortured and locked up in Guantanamo Bay reminds us that no one is exempt. Laurie Anderson offers an ineffably moving picture in collaboration with Saudi-born Mohammed El Gharani. The installation was recently on view at the Park Avenue Armory in New York.

  • In Your Arms at Old Globe

    World Premiere of Musical in San Diego

    By: Jack Lyons - Oct 03rd, 2015

    “In Your Arms” is the brain-child of brilliant choreographer/director Christopher Gattelli and Broadway producer Jennifer Manocherian. It is having its world premiere at Old Globe in San Diego.

  • Tennessee Williams Cabaret

    Armando Arrocha and Colette Simple

    By: Charles Giuliano - Sep 30th, 2015

    During the recent Provinctetown Tennessee Williams Festival we attended two performances of cabaret, based on works of Williams at the Crown and Anchor. The two experiences comprised a study in contrast with the best and worst of the tenth annual festival.

  • Metropolitan Opera Season Opens

    Aleksandrs Antonenko a Brilliant Otello

    By: Susan Hall - Sep 21st, 2015

    Otello is one of the greatest operas of Giuseppe Verdi. In the 2011 season, Riccardo Muti mounted a concert performance which was almost universally heralded as the event of the season. Singing the title role under the Maestro was Aleksandrs Antonenko, who delivered a performance of technical perfection and rich emotion. Antonenko has not forgotten the lessons he learned from Muti, and has, in fact, built on them. His performance at the Metropolitan Opera is wrenching.

  • Andy, the Popera by Heath Allen and Dan Visconti

    Opera Philadelphia and The Bearded Ladies Collaborate

    By: Susan Hall - Sep 19th, 2015

    Why not create opera in a warehouse like Andy Warhol's Factory? Take an over-the-top cast of characters familiar to opera goers, mash up classic and pop music, and fly? Why not? That's just what Opera Philadelphia and an intriguing cabaret group The Bearded Ladies have done. It is a wonderful opera.

  • Let's Have Fun with the YPhil

    A Concert for Peace at Skirball

    By: Susan Hall - Sep 18th, 2015

    The International Youth Philharmonic Orchestra was founded to celebrate the universality of music. They note: Every person on the planet is a note in a greater symphony, telling his or her story of joy, sadness or peace. Notes may link together, turning into melodies and songs that are powerful and strong. The YPhil is a symbol of the voice of the world fraternity.

  • Fresh Grass Festival 2015

    September 18-20 at MASS MoCA

    By: Philip S. Kampe - Sep 14th, 2015

    Non-stop bluegrass related music will take over North Adams Massachusetts this upcoming weekend. The Fresh Grass 2015 version invades the Berkshires for what should be a wonderful music oriented weekend.

  • Old Blue Eyes

    Singer for the Dons

    By: Charles Giuliano - Sep 11th, 2015

    By the time Sinatra played the Music Hall in Boston there wasn't much left of The Voice. But he had the chops to sell a song long after the pipes had rusted. Up close and personal I had choice seats in a special section of New England mafia royalty.

  • Woodstock

    Back Stage Perks

    By: Charles Giuliano - Sep 08th, 2015

    Ditching the car with Joey and Amber we hiked to Max Yasgur's farm in Bethel, New York. There were a half million sitting through mud and rain at Woodstock. The fences came down but I had press credentials. We made our way back stage.

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