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  • Lucia di Lammermoor at Opera Philadelphia

    Dark Yet Entrancing

    By: Susan Hall - Sep 25th, 2018

    Rumors that Gaetano Donizetti was of Scotch origin swirled over the Italian countryside when his opera Lucia di Lammermoor was first produced. They were untrue. Now Laurent Pelly gives us a grim, grey countryside to match the mood of the opera's heroine. Brenda Rae triumphs in the role at the Academy of Music in Philadelphia.

  • Sky on Swings at Opera Philadelphia

    World Premier of Lembit Beecher's opera

    By: Susan Hall - Sep 24th, 2018

    Sky on Swings is a collaborative opera. The three principal artists, Lembit Beecher, Hannah Moscovitch and Joanna Settle have worked together for more than a year to bring a musical portrait of death-by-Alzheimer’s to the stage.

  • Jaap van Zweden at the New York Philharmonic

    A New Era Begins

    By: Paul J. Pelkonen - Sep 21st, 2018

    Opening night at the New York Philharmonic is a yearly tradition an occasion for fat cat donors to dine on the Promenade of Lincoln Center's David Geffen Hall, and for ordinary critics (like your humble scribe) to put on suits and hobnob with each other before the performance. This year's ceremonies, held Thursday night, were also notable as it marked the long-awaited official debut of Jaap van Zweden, the orchestra's new music director.

  • The Abduction from the Seraglio

    Opera San Jose

    By: Victor Cordell - Sep 19th, 2018

    On opera’s dramatic measuring rod, any production of Abduction would fall on the comedic rather than the tragic end, but Opera San José pushes the comic meter to the point that opera detractors might even appreciate it as a stage comedy with music.

  • Space Odyssey 2001 at NY Philharmonic

    Reprise of Classic

    By: Paul J. Pelkonen - Sep 18th, 2018

    Stanley Kubrick's seminal 1968 classic is now 50 years old, and remains as puzzling as ever. On Friday night, as part of this year's The Art of the Score festival, the New York Philharmonic performed the complete orchestral and choral music of 2001 as accompaniment to a large scale screening of the film at Lincoln Center.

  • Soundstage by Rob Roth at HERE

    Loneliness of Out-Sized Personality

    By: Susan Hall - Sep 17th, 2018

    Soundstage by Rob Roth is playing at HERE through September 29. Using all the facilities that the grand HERE space affords, the production is first rate. Although the author and lead actor Rob Roth identifies this as a queer vision, the piece resonates more widely.

  • Splendor In The Fresh Grass

    Awards Day

    By: Philip S. Kampe - Sep 17th, 2018

    (At press time, I didn't have a list of winners that were announced at the Fresh Grass Festival's banjo and band awards) Nonetheless, the Fresh Grass Festival 2018 vesion has come to an end.

  • More Fresh Grass Bluegrass Festival

    Rhiannon Giddens Steals The Show

    By: Philip S. Kampe - Sep 16th, 2018

    Today is Sunday and the last day of the Fresh Grass Festival. With four stages, wonderful cuisine and an enthusiastic young crowd, why not drive to North Adams, Massachusetts and enjoy the nation's best museum themed bluegrass festival. Ricky Skaggs and Kentucky Thunder headline today at 5:50pm.

  • Fresh Acts At Fresh Grass

    The Three Day Festival Is In Full Swing

    By: Philip S. Kampe - Sep 15th, 2018

    The Fresh Grass Festival,which takes place in a wide array of venues at Mass MoCA, in North Adams,Massachusetts, offers bluegrass music that is both traditional and cutting edge. There are four stages, three outdoors and one indoors that cater to the musicians and the family friendly audience. Workshops abound in the galleries with members of the bluegrass community sharing knowledge with their fans.

  • Schoenberg in Hollywood at Boston Lyric Opera

    Tod Machover World Premiere

    By: Matt Robinson - Sep 14th, 2018

    From November 14-18, Boston Lyric Opera will bring Arnold Schoenberg back east with the world-premiere production of Tod Machover’s “Schoenberg in Hollywood.” Machover has been hailed for his compositions and also for creating new technologies that allow the boundaries of music to be taken beyond even the atonal heights Schoenberg attained.

  • Pretty Woman the Movie as Musical

    Hooker as Hoofer with a Heart of Gold

    By: Karen Isaacs - Sep 13th, 2018

    The producers of Pretty Woman probably thought they had a sure fire hit. After all, the 1990 movie made Julia Roberts a major star and Richard Gere more of a star. It combines familiar elements: the hooker with a heart of gold, a Cinderella story, and the redemption of a man consumed by greed (think Scrooge).

  • Roberto Devereux by Gaetano Donizetti

    At San Francisco Opera

    By: Victor Cordell - Sep 10th, 2018

    Gaetano Donizetti is recognized as a master of bel canto, with its vocal ornamentation, agility, vibrato, glissando, and precise demands on breath and register control. Although not designed as companions, he wrote operas of three queens in that style, now known as the Tudor Trilogy – Anna Bolena, Maria Stuarda, and Roberto Devereux.

  • Cavalleria Rusticana and Pagliacci

    A Twofer at San Francisco Opera

    By: Victor Cordell - Sep 10th, 2018

    In an unusual alteration, perhaps opera’s most famous closing line, “La commedia è finita” which is written for Canio, is spoken by Mamma Lucia, who is a character from Cavalleria. This change is the most explicit link between the two operas, and it also suggests that the speaker represents humanity, demanding an end to the destructive chaos of primitive morality evidenced in both pieces.

  • Talking to Jay and the Americans

    Founding Member Sandy Yaguda

    By: Matt Robinson - Sep 06th, 2018

    Despite occasional lineup changes, the band has always had a “Jay.” Even so, the original name that was bestowed upon them by the legendary songwriting and producing team of Jerry Leiber and Mike Stoller did not use any of the bandmembers’ names. What's in a name? The vintage band is on tour this fall.

  • Musica Marin Festival

    Talking with Organizer Ruth Ellen Kahn

    By: Victor and Karin Cordell - Aug 30th, 2018

    Musica Marin Festival runs September 21-23, 2018. Main performing venues are St. Stephen’s Church in Belvedere, Old St. Hillary’s Church in Tiburon, and the exclusive private 9-acre estate in Tiburon.

  • Apprentice Scenes

    A Feature of Santa Fe Opera

    By: Victor Cordell - Aug 28th, 2018

    Santa Fe Opera presents the always stirring and diverse Apprentice Scenes. The backstory to these entertainments is that the company has a stellar apprenticeship program each summer that extends beyond singers to include young set designers, costumers, lighters, and the whole array of behind-the-curtain magicians who enhance opera scores to make them lavish events. Of course, it is the singers who are most in evidence, and to call them apprentices is a bit of misnomer.

  • Tanglewood's Bernstein Centennial

    All Star Tribute Hosted by Audra McDonald

    By: Charles Giuliano - Aug 27th, 2018

    The summerlong Leonard Bernstein Centennial at Tanglewood ended with an all star celebration hosted by Audra McDonald. Five conductors and numerous guest artists presented a two hour program that featured his music as well as composers like Copland, a close friend, and Mahler, a kindred spirit. John Williams composed a special piece for the occasion. It was a night to remember as a chapter of Tanglewood's vivid history.

  • The Knights Perform Candide

    Bernstein's Zany Comedic Operetta

    By: Philip S. Kampe - Aug 23rd, 2018

    Leonard Bernstein's 'Candide' came to light at Ozawa Hall. The packed house and crowded lawn were recipients of a night of comedic opera, performed by The Knights with special guests. Skits jammed in-between tenor and soprano leads. The mockery led the way to this dumbfounded comedy, which reminds one of the Marx Brothers.

  • A Chorus Line

    At Ivoryton Playhouse

    By: Karen Isaacs - Aug 22nd, 2018

    A Chorus Line now at Ivoryton Playhouse through Sunday, Sept. 2 is a “singular sensation” as one of its most well-known songs says. The show has everything and this production has almost everything right.

  • Dell'Arte Opera's Vignettes from Vienna

    Introducing Emerging Talent in Mozart and Salieri

    By: Susan Hall - Aug 22nd, 2018

    Dell'Arte Opera presented Vignettes from Vienna, including Mozart and Verdi. The highlight of the evening, however, was not Mozart’s music as a stand alone. We were treated to a performance of Nikolay Rimsky-Korsakov’s Mozart and Salieri, into which the composer interwove Mozart’s music as part of the story.

  • The Tsar's Bride at Bard Summerscape

    The Pleasures of Rimsky-Korsakov

    By: Susan Hall - Aug 20th, 2018

    Bard Summerscape concluded its 2018 season with a production of The Tsar’s Bride by Rimsky Korsakov. Often performed in Europe, it is unfamiliar to most opera lovers in the United States, who received it with rapt admiration at the FIsher Center.

  • Doctor Atomic by John Adams

    Santa Fe Opera House

    By: Victor Cordell - Aug 20th, 2018

    The Santa Fe Opera House is the perfect venue to stage John Adams’s compelling contemporary opera Doctor Atomic, about the creation of the atomic bomb. With a riveting and intellectual, but sometimes obtuse, libretto by Peter Sellars that is largely taken from historic documents, a story whose outcome we know is still tense and absorbing

  • Highwood's Ghost Haunts Leonard Bernstein

    John Williams World Premiere Composition

    By: Philip S. Kampe - Aug 20th, 2018

    The packed audience at Tanglewood on a most beautiful day waited anxiously to hear the world premiere of a new composition from John Williams, in honor of Leonard Bernstein's ongoing 100th Year Celebration. The anticipated piece, 'Highwood's Ghost' featured Yo Yo Ma.

  • Ariadne auf Naxos by Strauss

    At Santa Fe Opera

    By: Victor Cordell - Aug 19th, 2018

    The opera is a play within a play. The “richest man in Vienna” has commissioned an evening’s spectacle at his manor for guests – a serious opera followed by a commedia dell’arte. It has been staged by Santa Fe Opera.

  • Leonard Bernstein’s Fancy Free

    Boston Ballet and BSO Collaborate

    By: Charles Giuliano - Aug 19th, 2018

    The summer long centenary celebration continued last night at Tanglewood with an All Bernstein Program conducted by Andris Nelsons. It featured Fancy Free a 1944 collaboration with choreographe Jerome Robbins for Fancy Free. That theme was expanded into their musical On the Town. The dance was performed in collaboration with Boston Ballet.

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