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  • Non Solus at BAM

    Circus Dance from Hungary

    By: Chriselle Tidrick and Susan Hall - Feb 15th, 2019

    The Recirquel Company Budapest is presenting Non Solus at the Howard Gilman Opera House at BAM. The front of the stage is swathed in a glimmering material that reflects like plastic and moves like silk. Behind the curtain, misty lights of yellow and white are haloed like a desert mirage. The translucent curtain billows and then collapses in waves of light and texture.

  • Fulfillment Center by Abe Koogler

    A Red Orchid Theatre Production

    By: Nancy Bishop - Feb 19th, 2019

    Abe Koogler’s play, Fulfillment Center, is the story of four working people (two of them educated ex-New Yorkers) trying to get by in a mid-size New Mexico city. Jess McLeod smoothly directs an excellent cast of four.

  • Indecent In South Florida

    GableStage Production Of Popular Paula Vogel Play

    By: Aaron Krause - Feb 18th, 2019

    Coral Gables theater company presents robust production of play about a controversial 1920s Yiddish work. Indecent tracks the path of The God of Vengeance' success across Europe, until its shut down on Broadway. Music, dance and dialogue combine to celebrate Yiddish language and theater while exploring a dark period in theater history.

  • Brian Coleman’s Buy Me Boston

    A Picture Book of Local Ads and Flyers

    By: Charles Giuliano - Feb 20th, 2019

    Brian Coleman has published several successful books on hip-hop. The latest of which is a picture book “Buy Me Boston: Local Ads and Flyers, 1960s – 1980s, Volume 1.” It is compiled from thousands of scans of pages of vintage publications.

  • A New Work by Yale Drama Graduate Karen Hartman

    Good Faith – Four Chats about Race and the New Haven Fire Department

    By: Karen Isaacs - Feb 21st, 2019

    Good Faith – Four Chats about Race and the New Haven Fire Department now having its world premiere at Yale Rep through Saturday, Feb. 23 fits into the category of documentary theater. It is also referred to as theater of witness or theater of fact. This form combines elements of documentary – reliance of interviews, documents and media reports of an event.

  • Victoria Bond at the Cutting Edge

    Barnes, Glass, and Enchants

    By: Susan Hall - Feb 19th, 2019

    The program at Cutting Edge Concerts at Symphony Space opened with a delightful bird romp by Maria Newman. Hal Ott on the flute, Scott Hosfeld on viola and the composer on the violin created pictures of four different birds. Olivier Messiaen recorded birds in their native habitats, focusing on their identifying songs. Newman widens the frame to include pictures of the birds' movements and suggests purpose, like the melancholy watchfulness of a snowy owl and the ravenous detection of prey for the falcon.

  • Wadada Leo Smith’s latest CD

    Rosa Parks: Pure Love. An Oratorio of Seven Songs

    By: Doug Hall - Feb 24th, 2019

    On his highly acclaimed and awarded release, America’s National Park (2017, Cuneiform Records), Leo Smith won DownBeat Magazine’s Best Album of the Year, 2017. It also earned DB’s Annual Critics Poll in 2017 for best artist and trumpeter.

  • Twilight Bowl by Rebecca Gilman

    World Premiere at Goodman Theatre

    By: Nancy Bishop - Feb 24th, 2019

    The play is Twilight Bowl by Rebecca Gilman, in a world premiere at Goodman Theatre, directed by Erica Weiss with an all-female cast and crew. Bowling is a backdrop throughout—the sport is a symbol of the working class life these young women dream of escaping or are complacent about.

  • Theater for the New City's Catapult!

    A Pithy Comedy by Matthew James Fitzgerald

    By: Rachel de Aragon - Feb 27th, 2019

    If you have ever walked into an art gallery and wondered why, or what, or whether about any particular piece – or the venue as a whole, be prepared to laugh! Fitzgerald's rapid-fire dialog and a versatile and well-cast cast make this visit to the gallery worthwhile. Mark Marcante, Mathew Thomas Burda, David Jones, Lytza Colon Kanako Nagayama and Quinn Therrault have set the scene; the stage becomes a most credible Gallery Zuzu replete with works of art. Director, Tony White knows his subject well. His characters walk out of the art gallery scene like pieces in the exhibition

  • York Theatre Company's Musicals in Mufti

    Restaging Interesting and Worthy Flops

    By: Karen Isaacs - Mar 01st, 2019

    For 25 years, the York Theatre Company annually has done their “Musicals in Mufti” series featuring little know musicals, flops and those that closed out of town: Minimal sets/props/lighting, a small combo or just a piano, cast with script in hand and in their own clothes

  • Equity Tour Of Waitress

    Production Makes Stop in South Florida

    By: Aaron Krause - Mar 01st, 2019

    The national touring production of Waitress achieves mixed results. Lyrics were sometimes hard to hear during a performance at Miami's Adrienne Arsht Center . In the #MeToo era, Waitress should resonate with many. The musical adaptation of the 2007 Indie film contains heart, humor and humanity.

  • Al Perry Talks About WBCN

    Former Station Manager

    By: Charles Giuliano - Mar 05th, 2019

    While many during the Golden Age of WBCN had their heads in the clouds former station manager, Al Perry, had his feet on the ground. Somebody had to stay straight and pay the bills. He is a talking head in Bill Lichtenstein's documentary film WBCN: The American Revolution.

  • Christie and Les Arts Florissants at BAM

    Jean-Philipppe Rameau Delights

    By: Susan Hall - Mar 04th, 2019

    William Christie and his Arts Florissant created two dance/opera entertainments by Jean-Philippe Rameau at the Brooklyn Academy of Music. As usual, this group sells out in New York and it is easy to see why. Christie conducts with poise and precision. He enlists a first rate ensemble of musicians to perform period music. To this is added stylized dance and gorgeous operatic voices. In the second one act dance/opera, La Naissance d'Osiris, we saw and heard a divertissement of dances, the gavotte, sarabande and minuet among them.

  • Bridget Kibbey and Friends at Merkin Hall

    WQXR's Terrance McKnight Hosts

    By: Susan Hall - Mar 07th, 2019

    Bridget Kibbey is a superb musician on her instrument of choice, the harp. She was joined by two friends on violin and flute/recorder to perform J.S. Bach, C.P.E. Bach, Orlando de Lassus and Tarquinio Merula in Merkin Hall at the Kaufman Center in New York. The event was hosted by Terrance McKnight of WQXR.

  • Sonja Friseli's Aida Is Retired at the Met

    The End of Aida As We Loved Her

    By: Susan Hall - Mar 09th, 2019

    The production mounted at the Met thirty years ago is to be replaced, under the injunction: if it's not broken, break it. Sonja Friseli's Aida is perfect and satisfies audience members of all ages and all hues. Why should a new one be created? If you are having financial troubles, spend more in the wrong place?

  • Glory: A Life Among Legends

    By Dr. Glory Van Scott

    By: Doug Hall - Mar 10th, 2019

    “GLORY: A Life Among Legends” is a testament to “the power of art, to the power of commitment, to the power of education, and how taken together they can change a culture.”

  • HERE Presents Nick Lehane's Chimpanzee

    Puppetry Moves Like No Other Form

    By: Susan Hall - Mar 11th, 2019

    Chimpanzee is a delightful and superlatively moving account of memories and dreams re-captured in captivity by a primate. Nick Lehane has created this compelling portrait. From the moment lighting director Marika Kent takes us from blackness into the light on the Chimpanzee, graceful light gestures, and some searing white light suggest the chimp's changing moods as does the soundscape by Kate Marvin.

  • Diana The Musical

    Premiere at La Jolla Playhouse

    By: Jack Lyons - Mar 12th, 2019

    La Jolla Playhouse presents a new musical about Diana and Charles who as heir to the British throne, at 70, is still waiting. For global fans she was a fairybook princess in real life.

  • The Rape of Lucretia

    Review at Boston Lyric Opera

    By: Doug Hall - Mar 16th, 2019

    Boston Lyric Opera’s production and interpretation of Benjamin Britten’s contemporary tragic opera “The Rape of Lucretia” is once again an example of a willingness and commitment to perform dramatically intense and socially relevant subject matter.

  • Shadow of a Gunman by Sean O'Casey

    NY's Irish Repertory Theatre

    By: Nancy Bishop - Mar 16th, 2019

    Sean O’Casey’s play, The Shadow of a Gunman, now on stage at Irish Repertory Theatre, tricks us into thinking this might be a comedy about drunken and verbose Irishmen.

  • Crossing Delancey In South Florida

    At the Levis JCC Sandler Center Theater

    By: Aaron Krause - Mar 16th, 2019

    Crossing Delancey is heartwarming and life-affirming at the Levis JCC Sandler Center Theater at the J. The stage version of this well-known story is the source material for the 1988 movie starring Amy Irving. The play is faithful to the film, but different. Cast members and behind-the-scenes folks excel in their work on the production in Boca Raton.

  • Mother Road by Octavio Solis

    At Oregon Shakespeare Festival

    By: Victor Cordell - Mar 17th, 2019

    Mother Road by Octavio Solis is produced by Oregon Shakespeare Festival and plays in repertory at its August Bowmer Theatre in Ashland, Oregon through October 26, 2019. The tone of Mother Road successfully drifts between realism and dream state, between drama and comedy.

  • Hairspray at Oregon Shakespeare

    Baltimore Based Musical Packs Hefty Impact

    By: Victor Cordell - Mar 18th, 2019

    Hairspray challenges prejudices against women who lack an idealized body type and pushes for racial integration and acceptance of non-binary genders. It slyly and adroitly conveys its message even to conservative audiences through an entertaining package of sympathetic characters and shared enjoyment.

  • Man of La Mancha in Annapolis

    Patrick Gerard Lynch Plays the Don and his Creator

    By: Susan Hall - Mar 18th, 2019

    Man of La Mancha acted and sung with all the passion it can arouse, is revived by the Compass Rose Theater in Annapolis, Maryland. It is a treat. While its score may be Broadway- lite, a reminder that there is hope for humans who dream is a welcome.

  • WBCN: The American Revolution

    Award Winning Documentary Film by Bill Lichtenstein

    By: Charles Giuliano - Mar 19th, 2019

    Recently, WBCN: The American Revolution had its first public screening at DC Independent Film Festival. It was judged Winner Best Documentary 2019. Bill Lichtenstein launched the project in 2009. There was at the time no archive dedicated to the legendary alternative rock station. Now there is as the film conflates talking heads, images, sound tracks and vintage footage. More than a radio station, WBCN provided the sound track and social media platform for the coming of age of 250,000 college students during an era of war, protest, and a dynamic counterculture.

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