Conrad Tao’s world premier composition Everything Must Go was performed by the New York Philharmonic and followed without a breath by Anton Bruckner’s powerful Eighth Symphony.

For the greater part, history has been made by and written by men. Like Olympe, Lauren Gunderson hopes to rectify gender imbalances in some small measure by sharing the stories of four women who impacted and were victims of the French Revolution

Just when you think you have a handle on the work of Linda Leslie Brown she does something different. As always there is a fresh sense of adventure to Plastiglomorate an exhibition of sculpture at Boston's Kingston Gallery.

Mendoza, a thrillingly raw and earthy adaptation of Shakespeare’s Macbeth, is being presented this week at Goodman Theatre in collaboration with the Chicago Latino Theater Alliance.

This is a group of detestable, rotten apples, but each of these men is also, in his own way, disarming and hilarious, with quirks and charms that make us forget why they are in this make-shift homestead wearing ankle bracelets; until we’re reminded, and once again infuriated by the hypocrisy. This is a world premiere by Bruce Norris.

Now at mid career, with 20 Grammy Awards, Pat Metheny launched a tour at the Cabot Theatre in Beverly, Massachusetts. While performing material from those now classic albums he did so with emerging musicians. He derived fresh energy and inspiration from Gwilym Simcock on piano/keyboards, Linda Oh on bass, and Antonio Sanchez on drums. Yet again his guitar virtuosity sparked a phenomenal performance.

One complaint about Oslo that may be heard is that we already know its outcome. Twenty-five years beyond, notable progress has been made, but the condition between Israelis and Palestinians remains sad and unresolved.

Zürich is played by 10 actors—two each in five scenes—set in a luxury hotel room or rooms in that Swiss banking city. The play begins in a seemingly lighthearted way, with a man and a woman who have spent the night together in a room on the 40th floor of a Zürich hotel.

The final fall production of Barrington Stage Company for a number of years had been coordinated with the reginal school curriculum. It has been the norm to explore an agenda with social justice theatre. This time, however, Barrington has opted to focus on ars gratia artis. Teachers as their lesson plan will discuss a harrowing masterpiece of American theatre, The Glass Menagerie by Tennessee Williams.

Paul Muldoon, a 67 year old New Yorker, originally from Northern Ireland, recited his poetry while the band, Rogue Olifant, played accompanying music. The evening at Hancock Shaker Village emulated a 1960s scene from my past.

One would argue that in opera singers of a vanished age, it was the voice and only the voice that mattered. These words would be fitting as a eulogy for Montserrat Caballé. The soprano, who passed away at the age of 85, possessed one of the largest and most flexible instruments of her age, succeeding in everything from Rossini to dramatic operas by Puccini and Strauss.

A successful production requires an excellent Cervantes/Don Quixote and Phillip Hernandez meets the challenge. His voice is expressive and powerful, he bring a sense of age to the part, and his acting totally encompasses the character.

One month after the close of its 86th season, Jacob’s Pillow announces record-breaking ticket sales for its acclaimed summer dance festival. The organization reports over $2.5 million in ticket sales, an increase of 13% when compared with 2017; over 40,000 tickets were sold, an increase of 5%, when compared with last year. The season boasts 10,000 unique ticket buyers, an increase of 8% and the largest number since the organization began tracking this particular indicator in 2005.

The Eclipse Annual Exhibition features work by residents of the North Adams, studio/loft residence complex. The reception from 6 to 8 PM, Friday, October 12 launches the annual Open Studios that weekend. The popular event provides the opportunity to interact with artists in the setting where their work is created. In addition to studios work by resident artists is displayed in corridors of the four floor complex that houses 40 units.

The Girl of the Golden West returned to the Met this month with a good cast. On Monday night, a performance featuring tenor Yusif Eyvazov and soprano Eva-Maria Westbroek provided a much needed shot of red blood to an anemic fall season.

With 154 Years of Serendipity the artists Roger Kizik and Clara Wainwright celebrate their creaitive friendship with an exhibition at Kayafas Gallery in Boston's SOWA district. John Walsh, Director Emeritus of the J. Paul Getty writes about the pairing of Wainwright & Kizik.

This week the Berkshire Theatre Critics Association is voting on the final award list in preparation for the Third Annual Berkshire Theatre Awards. Winners will be announced at the awards ceremony to be held on Monday, November 12 at 7 pm at the Zion Lutheran Church, 74 First Street (Route 7) in Pittsfield, MA. --

Arendt/Heidegger is a love story which has happened countless times, and yet his betrayal of his beloved mirrors the profundity of the Heidegger's political, spiritual and intellectual betrayals. It is a most extraordinary love story. The realities of the times are ever present in the lives.

Charles Dickens would roll over in his grave. The master of the hard, the twisted, the bleak expectations, who chronicled grime, abuse, and despair. How could his material be used as the basis for a mash up between a raucous “who dunnit?” and a Gay ’90s vaudevillian music hall entertainment? The Mystery of Edwin Drood does just that, earning its spurs on Broadway in 1985 with a long run and a handful of Tonys.

Chicago critic, Nancy Bishop, a die hard rock fan dug deep for Bruce. Paying through the nose she scored a ticket for his sold out Broadway show. Springing for a Springsteen binge she added a couple of other compelling plays. She will be back in Manhattan later this month for the annual American Theatre Critics Association conference So this is a teaser with more golden apples to follow.

Fun Home looks at coming-of-age and coming-out through the eyes of Alison Bechdel, whose graphic novel memoir is the source material. TheatreWorks offers a delightful production of the Tony Award winning musical.

The playwright, Ashlin Halfnight, touches a tender nerve with his exposé. So many bad actions by people in our real world have been telegraphed to others before they occurred. Antisocial attitudes. Deviant behavior. Threats. Fascination with the perverse. Collections of weapons. Memorabilia of cruelty. But how can one know at what point to interfere?

This is the second Letter from Gloucester by correspondent Pippy Giuliano. She evokes the memory of epic Gloucester poet Charles Olson. He was indeed the bard by the sea who created layers of Cape Ann history from colonial times to his era in the poetic tome Maximus. It is in this daunting tradition that she contributes with humility her "lettters."

St. Thomas Church in New York is introducing its magnificent new organ with a series of concerts. A recent program of ferociously reverent music displayed the grand instrument in all its glory. The Choir of Men and Boys was joined by the Orchestra of St. Luke’s. Sara Cutler was featured on the harp, soprano soloist Hyesang Park, and Benjamin Sheen on the brand new organ.

North Coast Rep artistic director David Ellenstein has a penchant for selecting interesting plays for his theatre audiences. With his selection of playwright Jeffrey Hatcher’s new drama/mystery “Holmes & Watson”, and as the director of this clever play, Ellenstein subliminally tosses out a gentle unstated challenge to his patrons.