Zoey’s PERFECT Wedding now playing at TheaterWorks in Hartford looks at what happens when the “perfect” part of the wedding doesn’t happen. Playwright Matthew López has combined humor (some farce, some slapstick) with an insightful understanding of our need for human connection and love.

Fanny Brice – the real-like comedian who is the title character – had that quality. Unfortunately, while Beanie Feldstein is talented and tries hard – she doesn’t.

Who could predict that such a musical would set performance records for both the West End (21 years) and Broadway (a mere 18 years)?  But innovation doesn’t put butts in seats.  So, what propelled “Cats” to immortal fame?

I wasn’t sure what to expect from this work by Madhuri Shekar and produced in partnership with the National Asian American Theater Company’s project. But I found it an engrossing, if not always totally motivated work.

Belfast Girls, the Irish Rep’s current play by Jaki McCarrick is a sure-fire winner. Though all of the play’s action takes place on the transport ship Inchinnan in 1848 bound for Australia, the majority of the two act, 12-scene play with one intermission, takes place in a small, cramped, and windowless 5-bunk bed cabin in the ship’s steerage, and to a lesser degree on the ship’s deck where the girls can be seen contemplating their future.  

Jean-Joseph de Mondonville’s Titon et l'Aurore returns to Versaille. It is a pastorale heroique opera in three acts with a prologue. Inspired by Madame De Pompadour, it was first performed at the Académie Royale de Musique in Paris in January 1753.

On Friday June 3rd, the Dean of Schools and Principal at San Antonio’s Young Women’s Leadership Academy tried to deny Afro-Indigneous senior, Kayla Price, from walking in her ceremony because of the eagle feather beaded onto her graduation cap. The Young Women’s Leadership Academy (YWLA), part of the San Antonio Independent School District, ranks in the top 20 high schools in the United States. Per their Non-discrimination Statement,

Last but Not Least is an exhibition of sixteen new paintings.  Created in the last nine months of Todd McKie’s life, the paintings are as fresh and witty as ever. 

The Rodin exhibition explores changing perceptions of the sculptor’s work, beginning with the first acquisition made by an American institution—the Metropolitan Museum of Art in 1893—and Rodin’s controversial debut at Chicago’s World’s Columbian Exposition in the same year. The exhibition examines the collecting frenzy of the early twentieth century, promoted by noted philanthropist Katherine Seney Simpson, avant-garde performer Loïe Fuller, and collector Alma de Bretteville Spreckels

From this play’s outset, it is clear that “Hadestown” will have a distinctive style.  Although the musical’s auteur, Anaïs Mitchell, comes from the folk world, she developed a unique musical amalgam for the show with elements from blues, jazz, and pop in addition to folk.  Her orchestration is as unexpected as it is brilliant in providing a magnificent background sound. 

Blithe Spirit is personal for me; it was my first involvement in live theater, when I joined the Cortez, Colorado, community theater many decades ago. I worked on the set, sold tickets and made new friends who were interested in the arts in that oil-boom town. Later I directed (William Inge’s Picnic) and acted (in Arthur Miller’s All My Sons and a western melodrama, Deadwood Dick, or the Game of Gold). As a child and teen in Chicago, I had often gone to the theater with my Aunt Belle and also attended theater as a student at UIC. But Blithe Spirit was the first time I experienced the stage. And I still can repeat many of the lines.

Cabaret is one of the great musicals of the 1960s. Kander and Ebb (and book writer Joe Masterhoff) created a show that used a seedy, third-class nightclub as a metaphor for Germany slipping into the Nazi era.

The dark comedy “Don Giovanni” holds a place as one of the greatest operas ever composed.  In the hands of a world class company like San Francisco Opera with a great orchestra and the ability to attract some of the best artists to grace the stage, the production is as musically rich as it is professionally performed.

Awakenings is a new opera by the very American opera composer Tobias PIcker. In the past, he has musicalized the stories of Judith Rossner, Theodore Dreiser, and Stephen King. His new opera premieres at the Opera Theatre of St. Louis.

The spirited and ambitious Berkshire Opera Festival opens its 2022 summer season with a compelling new production of Jake Heggie's intimate THREE DECEMBERS on July 21 and 23 at PS21 in Chatham, NY, conducted by Christopher James Ray and directed by Beth Greenberg. This contemporary American opera is based on Tony Award-winning playwright Terrence McNally's original script for Some Christmas Letters. It marks BOF's 2nd Second Stage event, following Tom Cipullo's highly praised Glory Denied last summer.

Today, decades after it was written and first premiered at New York City Opera, X, the Life and Times of Malcolm X, feels both deeply rooted in classic opera traditions of Wagner, Strauss and Berg and deeply connected to our jazz heritage. The work is as much Charlie Mingus as it is say Parsifal, which composer Anthony Davis often references. A semi-staged concert version was performed at the Strand Theatre in Dorchester, Massachusetts, near Malcom's childhood home.

Last Saturday marked the return of the Berkshire Mountains Faerie Festival after three years, the fifth celebration since 2016. Cold weather and stormy winds could not keep away faeries and fair minded goblins from near and far.

The playwright, Tara L. Wilson Noth, has taken on a lot as the program notes state: Racism, incarceration, justice, and relationships. There can be turmoil trying to follow and resolve this mélange of subplots.

The Mystery of Irma Vep by Charles Ludlam is a spoof of genres such as Gothic melodrama and horror. Island City Stage in Wilton Manors, near Ft. Lauderdale, has mounted a consistently entertaining production. The play is purely escapist entertainment.

A free, public opera adaptation of Romeo & Juliet on the historic Boston Common opens Boston Lyric Opera’s 2022/23 Season with two performances August 11 and 13 at 8PM. Based on Charles Gounod’s 1867 musical setting of the classic drama with a libretto by Jules Barbier and Michel Carré, and an English translation by Edmund Tracey, the production is co-presented in partnership with (CSC) and the City of Boston.

Directed by Gregg Edelman, Berkshire Theatre Group has created a stunning production of Once the multiple award winning musical. The twelve actors in this work are also the musicians and singers. Set in a Dublin pub it tells the tale of unrequited love between a Guy and Girl. For this critic it proved to be an emotionally shattering theatrical experience.

Exhibition reconsiders the multidisciplinary practice of one of the twentieth century’s great artists,

Dionysus/Diane has messages for us. The messages we continue to ignore about the serious dangers that climate change portends for our future—and more importantly, for the futures of our children and grandchildren. Yes, while we seethe with anger about SCOTUS decisions and the January 6 insurrection, playwright Madeline George wants us to get mad about climate change too. She’s right, of course.

In the late 1960s, Eva Hesse sought to make objects that were neither painting nor sculpture, but a hybrid that was all her own. Simultaneously adopting and pushing against the prevailing Minimalist language of repetitive forms and hard edges, her work is imbued with a haptic experience that reflects her keen interest in materiality and incongruity.

During a stint at Sing Sing Tony Sirico was inspired by a visiting troupe of actors. What followed was years of bit parts and supporting roles. There were lots of opportunities given the public's unquenchable thirst for mobbed up entertainment. He hit the jackpot as Paulie Walnuts in the 1999-2007 run of HBO's Sopranos. He died this week at 79.