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  • Lady Bird and Fireworks at Hunter Opera

    21st Century Musical Takes

    By: Susan Hall - May 13th, 2017

    Lady Bird Johnson is now known for her signature role in the beatification of America, but as her husband prepared for his 1964 Presidential campaign, in which he crushed Barry Goldwater, he enlisted the aid of his wife, a Southerner, in wooing voters in the South. Vernacular music enhances the Lady Bird opera and also Fireworks by Kitty Brazelton, in which we see our present through the eyes of the future.

  • On Site Opera Presents Mozart

    The Secret Garden

    By: Susan Hall - May 13th, 2017

    On Site Opera is committed to producing in a place that echoes the theme or setting of an opera. The enchanting West Side Community Garden provided the set for an early Mozart opera. The cast was superb, picking tulips, dashing through flowerbeds, all for the seeming purpose of finding love. Where better to look and listen than a garden?

  • Met Opera Ends Season with a Bang

    Alagna Sings Cyrano

    By: Susan Hall - May 11th, 2017

    Opera is a form of many pieces. When the set, production, singing and orchestra work together, opera makes its own case. Cyrano de Bergerac realizes the seemingly Sisyphean task beautifully.

  • Marriage of Figaro at Boston Lyric Opera

    Young Cast Delivers

    By: David Bonetti - May 06th, 2017

    As the final opera in its 40th anniversary season, the BLO ended on an exuberant note. The Mozart classic was transposed from the 18th century Vienna suburbs to a villa in 1950s Italy, allowing a range of chic retro fashions to take stage center. But the young singers, all in fine voice, did not let the costumes upstage them. This might not have been a profound "Figaro," but it was fun, which might be just what Mozart and da Ponte wanted.

  • Joshua Roman Performs at The Crypt

    Cellist Beams Us Up with Mystery and Spirituality

    By: Susan Hall - May 04th, 2017

    Joshua Roman approaches his cello as a friend and collaborator. The Crypt Sessions invite audiences to be friends and collaborative listeners and to meet and greet on the terrace of the Church of the Intercession as the sun sets. Over delicious foods by Ward 8 and wine selected by Magnum Opus, you find out why your fellow Crypt listeners have come.

  • Di Donato in Handel at Carnegie Hall

    Harry Bickett Conducts The English Concert

    By: Susan Hall - May 01st, 2017

    After his patron King George I died, Handel made a big comeback with three operas. Ariodante is the last and glorious. Set in Scotland, it is important to understand that, like the state of Texas in the US, women get killed if they are unfaithful. The culprit here is exonerated. The music and the singing triumph over all.

  • Babes in Toyland by MasterVoices

    Kelli O'Hara and Bill Irwin Headline Superb Cast

    By: Susan Hall - Apr 29th, 2017

    Babes in Toyland debuted over a century ago. It has been reprised in many film and TV versions. Now we have it as it started out, as one of the first American musical comedies, a genre in which this country specializes. MasterVoices concocted a delicious concert version at Carnegie Hall.

  • Three Generations Curated by Steve Reich

    Bryce Dessner and Nico Muhly st Carnegie Hall

    By: Djurdjija Vucinic - Apr 28th, 2017

    The fourth and last concert of the Three Generations series that took place in Zankel Hall was dedicated to the third generation: composers Nico Muhly and Bryce Dessner. Steve Reich who orchestrated this event, highlighted the composers who contributed to "changing the direction of concert music", as the subtitle further implies and actually unites them under the "same roof".

  • War Paint on Broadway's Dueling Divas

    Veterans Patti LuPone and Christine Ebersole Star

    By: Edward Rubin - Apr 28th, 2017

    As wonderful as soprano Christine Ebersole cum Elizabeth Arden is – and the lady does have a couple of sensational show stoppers - it is the in-your-face belter Patti LuPone’s Helena Rubinstein who commands the most on stage attention in this show, as Rubinstein did in her every day life with her exotic wardrobe and jewelry, her thick European accent, and fast-flying zingers. “There are no ugly women, only lazy ones,” is one of her more famous quotes.

  • Natalie Dessay at Carnegie Hall

    Love Explored from Heaven to Hell

    By: Susan Hall - Apr 27th, 2017

    Hearing this perfectly beautiful voice reminds us of all the pleasure Natalie Dessay has given as an opera performer. As a concert artist, she brings dramatic talent to the words of song writers and adds a soupçon of opera to completely satisfy.

  • Boston Baroque's Giulio Cesare

    Handel's Greatest Opera a Real Challenge

    By: David Bonetti - Apr 27th, 2017

    Boston Baroque's "Giulio Cesare" marked the role debut of soprano Susanna Phillips as Cleopatra in this tale of love and war with Cleopatra and Julius Caesar its central protagonists. Full of ravishing arias and ensembles, the opera is almost an embarrassment of riches. Boston Baroque did it justice if not in the elusive definitive production it deserves.

  • Anthony Marwood and Les Violons du Roy

    Sheen Center Scene of Extravagant Music-Making

    By: Susan Hall - Apr 25th, 2017

    The intimate 273 seat theatre at the Sheen Center on Bleeker Street is a perfect setting for chamber music. Anthony Marwood and members of Les Violons du Roy performed Strauss, Mozart and Enescu in the intimate space. Opening out from a sextet to an octet, the group became increasingly animated and in fact agitated in a pleasing style, amusing the audience at the end with their passionate bowing and music making.

  • Berlin Artists at Carnegie Hall

    Showing the Way to Music's Future

    By: Susan Hall - Apr 21st, 2017

    As the music world becomes omnivorous and all-encompassing, it is terrific to spend an evening with consummate young musicians playing whatever their bliss is and making it ours.

  • Wilco Headlines Solid Sound

    June 23-25 at Mass MoCA

    By: Philip S. Kampe - Apr 20th, 2017

    Wilco headlines and supports a biannual music and art festival at Mass MoCA in North Adams, Massachusetts. The festival this year takes place from Friday, June 23rd to Sunday June 25th.

  • Tilson Thomas and Gehry's New New World

    Miami Beach Leads the Way to Future of Classical Music

    By: Susan Hall - Apr 18th, 2017

    Frank Gehry babysat for Michael Tilson Thomas in Los Angeles where they both grew up. Now they are building a new world for classical music together.

  • MASS MoCA Season Starts May 28

    Gallery and Performance Updates

    By: Charles Giuliano - Apr 18th, 2017

    MASS MoCA launches into the summer season on May 28 with the opening of Building 6, the third phase of campus development, which encompasses more than 130,000 square feet of interior renovations to its 19th-century mill buildings.

  • Figaro 90210

    Direct from Hollywood to Broadway (Off)

    By: Susan Hall - Apr 12th, 2017

    Figaro 90210 may mess with Mozart, but he would have loved the result. The updated opera is hilarious. All the singing actors bring to their individual characters voices that are rich and illuminating. Action is packed with gesture, silly and often touching.

  • Rocker J. Geils at 71

    Leader and Namesake of a Boston Band

    By: Charles Giuliano - Apr 12th, 2017

    J. Geils (1946-2017) was the guitarist and leader of Boston's iconic J. Geils Band. The blues and rock group started in 1987 when lead singer Peter Wolf joined after Hallucinations broke up. Initially a blues based band they toured relentlessly while enjoying modest hits and mostly FM radio play. That changed when they left Atlantic Records and released the hit album Centerfold for Capitol/ EMI in 1981. While touring arenas for several years the band broke up after one last album when Wolf left to pursue a solo career.

  • Mason Bates and Mark Campbell's Steve Jobs

    New Opera at Santa Fe Previewed at the Guggenheim

    By: Susan Hall - Apr 12th, 2017

    Mason Bates, one of the most frequently performed contemporary composers, has created an opera about Steve Jobs. Mark Campbell, the go-to librettist for contemporary opera, is Bates' teammate in the (R)evolution of Steve Jobs. A teaser was presented at the Guggenheim Museum’s indispensable and entertaining Works and Process series.

  • Can the Metropolitan Opera Survive

    The House is One-Quarter Full

    By: Susan Hall - Apr 10th, 2017

    Sitting in the 7th row of the orchestra at the Metropolitan Opera on Saturday night, in a skimpy house, most of my neighbors had paid between $20 and $37.50 for their tickets. Fortunately for the Met Opera, HD fans have a different take on Met productions than people who like their opera live.

  • Michael Tilson Thomas at Carnegie Hall

    San Francisco Orchestra Comes in From the Storm

    By: Susan Hall - Apr 08th, 2017

    The San Francisco Orchestra arrived in New York at 4:30 am on the morning of their first concert. Storms had delayed them, and stormy music formed the center of their magnificent concert at Carnegie Hall. You would never guess that these performers were sleep-challenged as they played John Cage’s Seasons, the Shostakovich Cello Concerto and Bartok’s intimate Concerto for Orchestra, a marvel in its ability to engage and draw us in.

  • Three Generations of Composers at Carnegie

    Part, Glass and Reich Featured

    By: Susan Hall - Apr 07th, 2017

    The Deans of Contemporary Music for the past fifty years were represented at Zanekl Hall, in Carnegie Hall. Steve Reich is curating this series of concerts. They are revealing and surprising.

  • Conrad Tao Rages at Crypt

    Copland and Rzewski Featured

    By: Susan Hall - Apr 06th, 2017

    Conrad Tao is a fearless performer. He is open to reactions that can be very harsh and cruel, and also very beautiful. The Aaron Copland Piano Sonata that sat in the center of the program is a very calm, contemplative and yearning piece. It is during this almost withheld performance that you can clearly feel Tao’s art.

  • Adams and Riley at Carnegie Hall

    Saved by the Bells

    By: Susan Hall and Djurdjija Vucinic - Mar 31st, 2017

    For the past half century our ears and minds have been assaulted with sound. Many of us have ceased to hear. Yet modern composers are creating music to which you must listen to enjoy. They are opening up our ears. This spring, in the intimate Zankel Hall, Carnegie is presenting three generations of contemporary composers led by curator Steve Reich. There is no better way to start listening again. No matter how minimal the style, this music is saved by the marimba and vibraphone bells.

  • Janácek's Adventures of Vixen Sharp Ears

    Natural World's Entrance at Manhattan School of Music

    By: Susan Hall - Mar 30th, 2017

    When the Adventurs of Vixen Sharp Ears was selected for the spring opera production at the Manhattan School of Music the prescience in this time of challenge to our climate and natural world could not have been foreseen. Yet watching the moving and charming production this week, the impact of our country’s abandonment of planetary care makes Leoš Janácek's opera all the more touching

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