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Theatre

  • The Paper Hat Game at 3-Legged Dog

    Torry Bend Blends Media with a Punch

    By: Susan Hall - Jul 08th, 2016

    Scale is an important factor in how we respond to objects, art and theatre. Using the small frame of a puppet theatre, Torry Bend tells the story of a man who distributes paper hats on the Chicago Transit system. We could be anywhere in this intriguing take on urban life.

  • Sense and Sensibility at Old Globe

    Jane Austen Sparkles in San Diego

    By: Jack Lyons - Jul 23rd, 2016

    San Diego’s venerable Old Globe Theatre is currently staging a vibrant, engaging and thoroughly delightful production of Jane Austen’s “Sense and Sensibility”.

  • The Tin Woman by Sean Grennan

    Actor’s Playhouse The Miracle Theatre in Coral Gables

    By: Aaron Krause - May 19th, 2016

    Anyone who’s required an organ transplant knows the horrible ordeals of blood tests and waiting lists. But what happens after a successful transplant is complete? Does life revert to normal for the recipient, the donor and their families?

  • Breath of Kings: Rebellion

    Stratford Festival of Canada

    By: Herbert Simpson - Jul 20th, 2016

    We welcome the distinguished critic Herbert Simpson and his coverage of Stratford Festival of Canada. Here he reviews Breath of Kings: Rebellion Richard II and Henry IV Part 1I which will be performed through September 24.

  • How I learned What I Learned by August Wilson

    Provocative Journey of Self-Discovery At Huntington Theatre

    By: Mark Favermann - Mar 11th, 2016

    In this wonderful solo show, the late Pulitzer Prize-winning playwright August Wilson shares entertaining and provocative stories about youth-- his first few jobs, a stay in jail, various colorful friends, encounters with racism, music, and love as a young poet in Pittsburgh’s Hill District. Directed by Todd Kreidler and featuring Eugene Lee, both longtime Wilson collaborators, this memoir charts Wilson’s journey of self-discovery through adversity, and what it means to be a black artist in America. This narrative journey, brilliantly performed by Eugene Lee, solidifies Wilson’s theatrical and cultural legacy.

  • LaMama Discovers American Music

    Dvorak Pricks Up His Ears

    By: Susan Hall - Mar 12th, 2016

    The ever inventive Czecholovak-American Theatre tracks Antonin Dvorak's arrival in America and shows us how he discovered unique American sounds from cottonpickers in the South to Hiawatha.

  • ATCA Announces Playwriting Finalists

    Harold and Mimi Steinberg/American Theatre Critics Association New Play Award

    By: ATCA - Mar 13th, 2016

    The American Theatre Critics Association (ATCA) has selected six finalists for the Harold and Mimi Steinberg/American Theatre Critics Association New Play Award, recognizing playwrights for the best scripts that premiered professionally outside New York City during 2015.

  • Barrington Stage Company Announces Programming

    Rounding Out 2016 Season

    By: Barrington - Mar 15th, 2016

    Following its world premiere at Yale Repertory Theater, Peerless by Jiehae Park (Hannah and the Dread Gazebo, Wondrous Strange), and directed by Margot Bordelon (Okay, Bye; At the Rich Relatives), will be the third production for the St. Germain Stage.

  • Off Broadway Musical Ruthless

    Falling In Love Again Is Simply Marvelous

    By: Edward Rubin - Mar 16th, 2016

    That NY critic, Edward Rubin, is a bit gonzo and over the top is no secret to his friends who know him as Fast Eddy. He refers to us as kids in a flurry of daily notes and links to reviews and articles of interest. In general we deplore the use of personal pronouns for reviews. Professional standards and decorum strive for objectivity. Now and then, as is the case here, his passion and enthusiasm know no bounds. Regarding an Off Broadway musical Ruthless he gushes "I loved, loved, loved Ruthless." That's just for openers.

  • Lorca's Blood Wedding

    Anemic Production at Chicago's Lookingglass

    By: Nancy Bishop - Mar 18th, 2016

    Blood Wedding was part of Federico Garcia Lorca’s plan for a “trilogy of the Spanish earth”—unfinished when he was killed in 1936. Most critics include Yerma and The House of Bernada Alba in the “rural trilogy” but Lorca did not include the latter. The decision to set this production in the more-realistic Depression-era U.S. diminishes the mythic nature of Lorca’s story.

  • Lucy Prebble's Compelling The Effect

    Off Broadway at Barrow Street Theatre

    By: Susan Hall - Mar 20th, 2016

    Lucy Prebble selects topics of heightened interest and then makes of them marvelous plays. Enron on the collapse of a fake US energy company is now followed by an exploration of drug trials and what they tell us about human beings.

  • Sex with Strangers at LA's Geffen Playhouse

    Talky Two-hander by Laura Eason

    By: Jack Lyons - Mar 24th, 2016

    In “Sex with Strangers, the plot revolves around Olivia (Rebecca Pidgeon), an intelligent, mid-career, one-book novelist who is having second thoughts about her ability is a writer, and Ethan (Stephen Louis Grush), a wildly successful, young, hyper-energetic stud/blogger with an ego to match, who meet in a mutual friend’s borrowed cabin on a snowy winter night in Michigan.

  • Disney’s The Little Mermaid at Theatre 29

    Theatre Still Delivers on Its Mission Statement

    By: Jack Lyons - Mar 24th, 2016

    “Disney’s The Little Mermaid” is one of the most ambitious productions Theatre 29 has tackled. And they have succeeded admirably. The California production continues through April 9.

  • Endangered Species by Tony Padilla

    Pearl McManus Theatre in Palm Springs

    By: Jack Lyons - Mar 24th, 2016

    “Endangered Species” written and directed by Tony Padilla stars Bonnie Gilgallon as Tina, a suburban Chicago housewife married to David a successful businessman played by Alan Berry. The couple married over twenty years are in New York on a holiday where they plan to relax and recharge their romantic batteries.

  • Blackbird Not Broadway-Worthy

    Disappointing Despite All-Star Cast

    By: Deborah Heineman - Mar 25th, 2016

    The combination of Michelle Williams (Una) and Jeff Daniels (Ray) should have been Broadway gold. When the curtain went down at the Belasco Theatre my companion’s comment was “well there was a whole lot of garbage on the stage.” Indeed the entire play takes place in a lunchroom strewn with leftover food wrappers and empty paper cups. For a play about the damaging relationship between a 40+ man and the woman he had sex with when she was a girl of 14, there were no surprises and little character development. The play was a disappointment given such a potentially explosive topic and talented cast.

  • Big Year for Bill Russell, One of Broadway's Best!

    BCEFA Benefit Premieres an Exciting 2016 for Lyricist Russell

    By: Deborah Heineman - Mar 25th, 2016

    Writer/Lyricist Bill Russell has brought us some of the best of on and off Broadway – yet many do not recognize his name. Creator of the moving and critically acclaimed Side Show, Russell recently staged a benefit performance of Elegies for Angels, Punks and Raging Queens (for Broadway Cares Equity Fights AIDS) at the Birdland Jazz Club in NYC which was spectacular. 2016 will be a big year for Russell, with world premieres and revivals of three of his shows (Side Show, Pageant, and premieres of both Brave New World and Unexpected Joy) in London and across the U.S. from Cape Cod to the Carolina's and the Black Hills of South Dakota!

  • Tom Stoppard's Arcadia

    Launches New Writers Theatre in Glencoe, Illinois

    By: Nancy Bishop - Mar 29th, 2016

    Writers Theatre opened its spectacular new theater in Glencoe this week with an appropriately spectacular production of a play by Tom Stoppard one of today’s greatest playwrights, smartly directed by Michael Halberstam. It was almost a four-star evening.

  • Ivo Van Hove Meets Arthur Miller

    Stark, Timeless Setting Sets Emotional Wallup

    By: Susan Hall - Mar 08th, 2016

    In anticipation of hot director Ivo Van Hove's production of Arthur Miller's Crucible, we re-visited his current hit production of Miller's A View from the Bridge. Physicalized acting in a plain set provides the perfect visual for the intense emotional action that impels Miller's drama.

  • In a Little World of Our Own by Gary Mitchell

    Irish Theatre's Chicago Production

    By: Nancy Bishop - Mar 07th, 2016

    Playwright Gary Mitchell is from a working-class, loyalist background and grew up in North Belfast. He’s considered Northern Ireland’s finest playwright.

  • Berkshire Theatre Group 2016

    Lively Mix of Musicala Plays and Performances

    By: BTG - Feb 20th, 2016

    The Berkshire Theatre Group announces a full schedule of musicals, plays and performances at the Colonial Theatre in Pittsfield as well as its two stages in Stockbridge. The program includes events from June through October. As usual a musical, Little Shop of Horrors, opens at the Colonial just after the July 4th holiday weekend which launches high season in the Berkshires.

  • Superhero Clubhouse's Jupiter at La MaMa

    A Play About Power!

    By: Deborah Heineman - Feb 20th, 2016

    Jonathan Camuzeaux, Jeremy Pickard and Sarah Ellen Stephens deliver powerhouse performances in Jupiter – A Play (literally) about Power. Camuzeaux & Pickard are also responsible (respectively) for the music and script for this futuristic “what if” that explores the potential disasters that lie ahead if we continue to abuse the environment. Jupiter will be at La MaMa through February 28.

  • 2666 at Chicago's Goodman Theatre

    Adapted from Roberto Bolaño's Massive Novel

    By: Nancy Bishop - Feb 22nd, 2016

    The Goodman's production of the late Roberto Bolaño's epic novel 2666 takes five-and-a-half hours to unfold on stage. It’s a beautiful mess.

  • Denver Playwriting Summit Part I

    Readings, Full Productions, Playwrights at Work

    By: Susan Hall and Diane Pinkard - Feb 22nd, 2016

    Readings, full productions, theatre has been key to Denver since Henry Lowenstein arrived to work for the Bonfilses. For the past 11 years Denver has put on a playwriting summit, celebrating theatre and bringing forward talent waiting to hit the main stage.

  • Forest Whitaker Charms in O'Neill's Hughie

    The Life-Sustaining Power of Performance as Mourning Becomes Morning

    By: Susan Hall - Feb 23rd, 2016

    Erie Smith in Eugene O'Neill's Hughie is often played for the dark side of a fleabag world of dawls and bangtails. Chuckles erupt as a funny story is woven yet submerged. Forest Whitaker in his Broadway debut creates an incredible lightness of being in the dark night of an off-Broadway flop house.

  • Denver Playwright Summit Part II

    Measuring Degrees of Change

    By: Susan Hall and Diane Pinkard - Feb 24th, 2016

    A Greenland research project measuring climate change, perhaps caused by Shakespeare's death, and the passage of time when beloved possessions no longer work. These are all the subjects of wonderful plays in development in Denver. After years of work, Theresa Rebeck got her play The Nest ready for its well-received premier.

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