The Miro Quartet performed works centered around the theme of “Home” for the Death of Classical series in New York.  In the crypt of a church in Harlem, reverberating in the acoustics of its stone arches, the Quartet sang. This program felt like a homecoming, immediate and warm. 

Goodspeed has turned into The Music Hall Royale, circa 1895, for a thoroughly enjoyable production of The Mystery of Edwin Drood. All that is needed is some good British ale.

Solo exhibition of mixed-media by Berkshire-based artist John Clarke on view at Sohn Fine Art in Lenox, MA through the end of July.

In the 1590s, wannabe playwrights Nick and Nigel Bottom fail to compete with theatrical powerhouse Will Shakespeare. Nick consults with soothsayer Nostradamus who tells him that musicals are the coming thing. The outcome is the world's first musical "Omelet." Hmmm.

Whereas Chekhov's 1897 masterpiece balanced humor and pathos, this modernized rendition prioritizes laughs over hard-hitting emotion. Schreck’s interpretation charms audiences with its humor....up to a point. Her Vanya, the titular ‘hero,’ may be amusing, but he lacks heroic dimension.

Ronnie Larsen Presents and Plays of Wilton presents the world premiere production of "Family Tree" by Erin K. Considine. "Family Tree" is a moving and funny play with layers.

Judy Kensley McKie Carving the Surface is the latest exhibition at Gallery NAGA. In the span of four decades she has been been among the most renowned artists of her generation.

Whimsical figurative artist Andrew Stevovich is exhibiting at Clark Gallery in Lincoln, Mass.

Marsha Mason, who stars in this production, feels All My Sons, an early play by Miller, one of his best. I agree. And this production proves it.

The Opera Philadelphia Board of Directors has unanimously approved the appointment of Anthony Roth Costanzo as General Director and President effective June 1, 2024.  A grammy-winning countertenor and creative producer who ”exists to transform opera” Costanzo will shape the future of a company known as “a hotbed of operatic innovation”, overseeing fundraising and business strategies, audience development, community initiatives, and artistic planning.

Usher is an overly introspective wannabe playwright who obsesses over his weight, color, and sexual orientation. In this audacious musical, the central character is surrounded by his thoughts. That is, the other characters are designated as Thought 1 through Thought 6. His internal conflicts and clashes with his parents prompt existential questions that may never be answered.

Lempicka was dud when it workshopped in 2018 at the Williamstown Theatre Festival. Now. with a thud, it has landed on Broadway

This oft revived piece celebrates the smooth sound and close vocal harmonies of male ensembles in the pop era. An unsuccessful pop foursome returns from the dead for one last concert. Along with many songs for multiple voices, the guys sing solos to strut their stuff and pull off comic gags to add to the fun.

Patriots is a compelling drama, written by Peter Morgan, who is not only a talented dramatist. He is a man who can grasp the politics of any situation he undertakes to put on stage. This production is a plain set (Miriam Buther) decorated by shifting lights (Jack Knowles) and composed sound (Adam Cork). You can’t take either mind or ears off it. Rupert Goold directs.

Currently Native American artist, Jeffrey Gibson, is the first to be honored by an exhibition in the American Pavilion of the Venice Biennale. We first encountered him when he exhibited with Camillo Alvarez in his Boston based Samson Gallery. At the time I was researching and curating Native American art. We met for a studio visit in 2006.

STRIP-TOWER (2023) expands on Gerhard Richter's continued exploration of painting, photography, digital reproduction and abstraction and self-scrutinising approach that have occupied his practice for over six decades.

Tiergarten, a cabaret, opened for three nights in the Grand Hall of St Mary’s Church on the lower East Side of Manhattan. A participant in Carnegie Hall’s deep gaze at the music of the Weimar Republic, hot impresario Andrew Ousley gathered together a group of top-notch performers and a talented design crew to create an ageless event. When the doors close, a mad spirit is unleashed in Willkommen.

This 1996 work was a breakthrough for Spanish language operas. Florencia, an opera singer, is returning to Manaus in the Amazon by boat and to great anticipation. In addition to performing there, she hopes to find her lost lover, a butterfly hunter, who disappeared into the jungle 20 years previous. Traveling incognito, she finds a passenger who has been collecting information for her biography and, unbeknownst to her, a spirit person who bridges the worlds of reality and magic.

Constellations by Nick Payne debuted on the West End in London and also on Broadway. Now it has a production at the Chain Theatre off-Broadway. An innovative new theatre group, The Company We Keep, is mounting the play. The engaging work exists in parallel universes and becomes, as the producers suggest, an immersive experience, suggesting the myriad ways in which each of our life experiences might expand. 

The collection of Japanese art at the Museum of Fine Arts, Boston (MFA), is one of the most comprehensive in the world. Five newly transformed galleries showcasing nearly 200 highlights—including painting, sculpture, decorative arts and selections from the Museum’s vast collection of ukiyo-e prints—open on May 11, 2024.Japanese

The exhibition title temporary arrangements refers to Mary Lum’s journeys though the streets of New York and Paris, observing the fragments of a crumbling façade of a building, a vendor’s pushcart, or a poster for a vernissage, which may have a short shelf life in the urban environment. Lum takes photographs on the streets looking at geometric forms, planes of color, and text.

In conjunction with the exhibition Hallyu! The Korean Wave, which explores the worldwide impact of South Korean pop culture, the Museum of Fine Arts, Boston (MFA), presents films by some of the country's greatest auteurs.

While the authors tell us that the play is “inspired” by the artist’s personal and political life, unfortunately, all of the “real-life” characters are so hastily established and sketchily drawn, that what we’re left with is a lack of realism and emotional vulnerability. All the characters in this play are like wooden sticks, there is no depth to any of them.

Gus Kayafas is both an artist/ photographer and publisher of Palm Press. The company, now fifty years old, creates photographic portfolios as works with individual artists. Examples of this work is on view as well as selections from his series of Arizona landscapes.

Sanctuary City, the play at TheaterWorks Hartforddeals with the consequences for the children, often very young, they brought with them, These children have no connection to their country of origin since their parents could never visit and return; the US is the only country they know.